Top 23 Violin and Piano Duets

Discover the most beautiful pieces for violin and piano duo

There are four basic categories of violin repertoire: unaccompanied violin, solo violin with orchestra, chamber music, and violin with piano. Most people who are not Felix Mendelssohn do not have a private orchestra at their disposal, and while you should try to put together a chamber group, it can take time to find the right people. Thus, it’s no surprise that most violin performances are done with piano.

There’s TONS of music out there for violin and piano, whether original compositions, transcriptions, or simplified arrangements. They range from exquisite to desperately boring. To save you some time, I’ve sorted out the desperately boring ones and chosen some of the best duets, easiest to hardest, for violin and piano. All this is classical music, but read to the end for some fun bonus suggestions.

Disclaimer: I wanted this to be a list of original compositions as much as possible, not transcriptions arrangements. This means I didn’t include any violin concertos with piano reductions, but only pieces that were originally meant to be violin and piano duets. I did include some volumes of arranged pieces for the easier levels.

#1 Solo Pieces for Beginning Violinists (arr. Craig Duncan)

This book contains sixteen short and very easy arrangements of popular pieces, both classical and fiddle tunes. There are staccato markings and slurs, but the rhythms are simple, and everything stays in first position. Because the tunes are very familiar, they are easy to learn, a fast addition to a student’s first recital.

Buy Duncan Solo Pieces for Beginning Violinist

#2 Betty Barlow Fiddle Tunes for the Violinist

Every beginner violinist should have this book on hand when they need a break from their main repertoire but still want to play something that will challenge them. Barlow presents dozens of catchy, energetic tunes, but each one also has technical challenges. These tunes are so fun to play that even advanced students enjoy reviewing them! A wonderful introduction to the incredible world of fiddle music.

Buy Barlow, Betty – Fiddle Tunes For The Violinist with Piano Accompaniment – Amsco Edition

#3 Classical Violin Music by Black Composers Vol. 1 (arr. Rachel Barton Pine)

American virtuoso Rachel Barton Pine loves finding music by little-known composers and making it available to musicians of all levels. In this volume, she presents 22 pieces arranged for beginners. If you’re curious about exploring music that is not included in Suzuki books, I recommend checking out collections like these.

Buy Classical Violin Music by Black Composers

#4 Six Very Easy Pieces by Edward Elgar

Easy beginner pieces by one of the 20th century’s greatest composers? Sign me up! It’s exciting when beginners are able to play pieces actually written for them by great composers, not just simplified arrangements. Coming from a composer who wrote some of the most beautiful music of the last one hundred years, you know that these little pieces will be worth the effort.

Click here to download the free sheet music.

#5 Bach/Gounod Ave Maria

This lovely piece could be described as a collaboration 100 years in the making. How could J.S. Bach (1685-1750) and Charles Gounod (pronounced goo-no, 1818-1893) have written a piece together?
In 1722, Bach composed The Well-Tempered Klavier. Prelude and Fugue in C Major is the first work in the second volume, and one of the most famous. The Prelude is simply a gentle broken chordal pattern that ebbs and flows through many chord changes and dynamics.
Over 100 years later, the French composer Charles Gounod improvised a romantic melody of Bach’s baroque chord study. His future father-in-law transcribed the inspired improvisation and published it in 1853. It has since become one of the most widely played Ave Maria settings.

Click here to download the free sheet music.

#6 Serenata by Enrico Toselli

This sweet, short, but little-known piece is wonderful for intermediate students who want to delve into Romantic works. It does contain shifting and quite a few high notes, but the tempo is not fast and the theme repeats so there is not that much music to learn.

Click here to download the free sheet music.

#7 Schubert’s Sonatina in D Major

In classical music, sonatas are the highest form of duet because the violin and piano parts are so equal. If you do not feel ready to take on a whole sonata, why not try the mini version? I love this beautiful recording of Pinchas Zukerman playing Schubert’s Sonatina in D Major. It is not difficult like most Romantic sonatas but has beautiful melodies and charming interplay between violin and piano. If you’re interested in learning Beethoven or Mozart sonatas eventually, use this to learn the special collaboration skills needed for sonatas.

Click here to download the free sheet music.

#8 Adoration by Felix Borowski

This piece embodies glorious hope in the face of tremendous pain and loss. Felix Borowski is not well-known in most circles. Born in England in 1872 of Polish descent, he later moved to Chicago where he became director of the Chicago Musical College and program annotator for the Chicago Symphony. He wrote three symphonies and three major organ sonatas, but Adoration is definitely his best-known work for violin.

Click here to download the free sheet music.

#9 Elgar’s Salut d’Amour

In 1888, Elgar became engaged to his future wife Caroline. As a gift she sent him a poem she had written and titled “Love’s Grace”. Inspired by his love and his art, Elgar set it to music with the german title “Liebesgruss”. The love token gained him some material wealth as well when he entered it in a composing competition and won 5£ (about 2,600£ in today’s money). His publishers insisted that it would sell better if it had a French title, so he got it published as “Salur d’Amour”.

Click here to download the free sheet music.

#10 Kreisler’s Three Viennese Waltzes

The three pieces are Liebesfreud (Love’s Joy), Liebeslied (Love’s Sorrow) and Schön Rosmarin (Lovely Rosemary). All three exhibit Kreisler’s characteristic trademarks of rubato and portamento. In order of least to most difficult, Liebeslied is the best piece to start with. It contains no doublestops, has a slow waltz tempo, and does not go past fourth position. Lovely Rosemary is not terribly fast, but does have several upbow staccato passages. It is a wonderful short piece for practicing this technique. Liebesfreud is the most difficult due to the faster tempo and consecutive thirds in the opening.

Click here to download the free sheet music.

#11 Boulanger’s Deux Morceaux

Composed in 1911 by an 18-year-old Lili Boulanger, this hidden gem is starting to be more widely appreciated. It exhibits very strong influences from French impressionists like Claude Debussy (see if you can catch a moment in the piano that sounds exactly like Afternoon of a Fawn). This piece is not tragic, but it is definitely nostalgic. It is perhaps foreshadowing also, when you learn that Lili died only six years later.

Click here to download the free sheet music.

#12 Kreisler’s Sicilienne and Rigaudon

Kreisler packs a big punch with this little fireball. The lilting, nostalgic sicilienne gives way to two pages of sixteenth-note runs and fiddle-like string crossings. It also incorporates some fun left hand pizzicato. Fortunately, it doesn’t go above third position, making it a great intermediate showpiece.

Click here to download the free sheet music.

#13 Vitali’s Chaconne

A chaconne is basically variations on a theme. It is attributed to Antonio Vitali, although some speculate that it was written later by someone else. Regardless, the solo part was altered by Leopold Charlier in the 20th century to make it more virtuosic. The violin spins into more and more complex renditions of the main theme, each expressing a deep sense of longing.

Click here to download the free sheet music.

#14 Kreisler’s Preludium and Allegro

Kreisler is best-known for his delightful encore pieces. He is also known for writing pieces “in the style” of other composers and affirming that they were the ones who had actually written them. Preludium and Allegro is an example of this. He said it was composed by Pugnani, and musicologists actually started talking about the piece under Pugnani’s name. They became very upset when they realized Kreisler had pulled one over on them!

Click here to download the free sheet music.

#15 Mozart’s Violin Sonata in G Major K. 301

It is so hard to pick just one Mozart sonata to list because he wrote thirty-six of them! Each is special in its own way, but K. 301 is very popular. All three movements are gentle and playful, which is wonderfully conveyed by Hilary Hahn in this recording.

Click here to download the free sheet music.

#16 Franck’s Violin Sonata in A Major

Belgian composer Cesar Franck composed this in 1886 as a wedding present for the young violin virtuoso Eugene Ysaye. Franck was not at the wedding, but a friend of his presented the piece to Ysaye the morning of. After one quick rehearsal with his new sister-in-law, Ysaye performed the piece for his guests, and kept it in his repertoire for the next forty years.

Click here to download the free sheet music.

#17 Beethoven’s Violin Sonata No. 5 in F Major

This work is better known as the “Spring” sonata, a nickname given it by Beethoven’s publishers thanks to its bright, refreshing character. This is only one of ten violin sonatas Beethoven wrote. The other two most famous ones are the “Kreutzer” sonata and Sonata No. 8 in G Major.

Click here to download the free sheet music.

#18 Saint-Saëns Introduction and Rondo Capriccioso

Saint-Saens dedicated this work to Pablo de Sarasate. It has a distinct Spanish flavor; you can almost see the bullfighters strutting in during the main theme. Incredibly dramatic and evocative, it is a favorite among advanced students and major soloists. The recording below is performed by Christian Li, a world-famous soloist who is currently thirteen years old. His performance really brings out the energy and joy in the piece.

Click here to download the free sheet music.

#19 Brahms’ Violin Sonata No. 3 in D Minor

If you don’t feel ready for the intensity of Brahms’s violin concerto, his three violin sonatas are a good way to get a feel for his style. His third sonata is extremely lyrical in the first two movements. In the third movement the pianist gets a chance to shine, and it closes with a virtuosic final movement.

Click here to download the free sheet music.

#20 Sarasate’s Zigeunerweisen

Pablo de Sarasate was one of the most beloved violinists of the early 20th century. Like many violin soloists of that time (including Fritz Kreisler and Henryk Wieniawski) he wrote many of the pieces he performed. “Zigeunerweisen” means “gypsy meadows,” which is exactly what the piece sounds like. If you enjoy this work, you will love diving into the world of Sarasate’s fiery compositions.

Click here to download the free sheet music.

#21 Bazzini’s La Ronde des Lutins

Antonio Ba-who? Almost no-one has ever heard of this Italian composer, even though he was one of the most eminent violinists of the 19th century. Today he is only remembered by the few very advanced violinists who can even play his flashy encore Dance of the Goblins. Even if you’ve never heard of Bazzini, you’ve probably heard of the violinist playing in this recording.

Click here to download the free sheet music.

#22 Suite from “West Side Story” (arr. Raimundo Penaforte)

Three of the most famous tunes from Leonard Bernstein’s beloved score come to life for violin and piano in this arrangement. “I Feel Pretty”, “Somewhere”, and “America” create a suite that is memorable and rhythmically challenging.

Buy Bernstein, Leonard – Suite from “West Side Story” for Violin Piano – arranged by Raimundo Penaforte – Leonard Bernstein Music Publishing Co

#23 The Lord of the Rings Music Book: Violin and Piano

This book has twelve songs from the whole trilogy including “Concerning Hobbits” and “In Dreams.” Some of these pieces were written for violin solo in the original score, while others have been transposed. If you are a Lord of the Rings fan, you and your piano friend will love playing these arrangements.

Buy The Lord of the Rings – Violin and Piano – Book/CD set – Warner Brothers Music

Hi! I'm Zlata

Classical violinist helping you overcome technical struggles and play with feeling by improving your bow technique.

I hope you’ve enjoyed this selection of violin and piano duos!

Of course there’s so much repertoire and so many gorgeous violin and piano sonatas that it’s almost criminal to leave it at these 23, haha!

Would you like to explore more violin pieces?

Check out these 107 student violin concertos and concertinos that can also be played in a violin and piano duo. Click here for the list and free violin sheet music.

Would you like to play violin duos with a fellow violinist? Check out this list of 20 violin duets.

What violin and piano duo do you love to play?

Leave a comment! I’d love to read it.

31 Violin Concertos Ranked by Difficulty Level

Violin concertos ranked from easy to hard:

How hard are the Mendelssohn, Bruch and Paganini violin concertos to play?

Even when you’ve just started to play violin it’s possible to play beginner and after that intermediate violin concertos. Did you know that there are concertos all in first position?

Below I’m rating the most well known violin concertos from easy to hard. We begin with students concertos by Küchler, Rieding and Seitz. Then we continue with the ‘big concertos’ by Mozart, Bruch, Mendelssohn, Beethoven and Brahms. We end with some of the most difficult modern violin concertos.

I’ll go into exactly what makes all these violin concertos so hard or easy to play and what violin technique is needed to play them.

#1 Ferdinand Küchler: Violin Concerto in D Major in the style of Vivaldi (1937)

Length: 6 minutes (3 movements)
Positions: Almost entirely 1st position with a tiny bit of third on E string only
Important techniques: Fast sixteenth note runs with string crossings, staccato vs. detache markings, slurred sixteenths
How to practice: Practice doing string crossings in rhythms (short-long, long-short, etc) practice slurred sixteenths separately to get the notes first
Comments: This charming little concerto is suitable to begin studying after Suzuki Book 3. It contains minimal shifting, so it is a good first step into using third position in pieces. The dynamics, articulation markings, and rhythms are very clear, as the piece basically only uses quarter notes, eighths, and sixteenths. To play the last movement, make sure you understand how to play in ⅜ time, meaning three eighth notes per measure.

Click here to download the free violin sheet music.

#2 Oskar Rieding: Violin Concerto in B Minor (1909)

Length: 8.5 minutes (3 movements)
Positions: 1st position
Important techniques: Full-bow legato, carrot accents, moving second and third finger between high and low positions.
How to practice: Play scales using legato slurs, focus on flat bow hair, bow distribution, and consistent contact point
Comments: The Küchler focuses on staccato, but this concerto is excellent for learning beautiful legato. The middle movement in particular is so sweet and nostalgic, followed by a much more energetic, fiery third movement. Even though it is all in first position, this piece is full of spirit and musicality.

Click here to download the free violin sheet music.

#3 Antonio Vivaldi: Violin Concerto in A Minor RV 356 (pub. 1711)

Length: 8 minutes (3 movements)
Positions: 1st and 3rd
Important techniques: Bariolage (i.e. fast repeated string crossings)
How to practice: Play just the top part of the bariolage to learn the melody. Always do bariolage in the middle of the bow.
Comments: For many students, learning this piece is when they fall in love with the violin. It contains everything that makes baroque music so satisfying to play. Although it contains more shifting than the Küchler as well as some tricky finger patterns, it is still one of Vivaldi’s easier concertos and quite doable for intermediate players.

Click here to download the free violin sheet music.

#4 Friedrich Seitz: Violin Concerto in G Major, Opus 13 (1893)

Length: 9 minutes (3 movements)
Positions: 1st position
Important techniques: Hooked bowing, double stops, staccato sixteenths, trills
How to practice: For the double-stops, play them separately out of tempo. Then play them slowly in martele to check for intonation and relaxed fingers.
Comments: This is the second of eight student violin concertos Seitz wrote. You may recognize the last movement from Suzuki Book 4. Although it is only in first position, I ranked it after the Vivaldi and Küchler concertos because of the extensive double-stop passages and more complex rhythmic figures. It also contains a short cadenza in the first movement. This is a moment for the soloist to be expressive, a short transition between themes. It is not difficult, but it does call for a new kind of freedom and expressivity.

Click here to download the free violin sheet music.

#5 Friedrich Seitz: Violin Concerto in D Major, Opus 15 (1895)

Length: 13 minutes (3 movements)
Positions: 1st-4th positions, plus extended 4th fingers
Important techniques: Sul G, harmonics, double stops, upbow staccato, ricochet
How to Practice: For upbow staccato, the bow stays in firm contact with the string all the way up while the bow hand fingers create impulses. As with the other Seitz concerto, practice double stops slowly and separately first with no vibrato. Ricochet is a new challenge in the feisty third movements of this piece. Ricochet is an off-the-string technique where you drop the bow onto the string and allow it to bounce naturally. Experiment with dropping the bow from different heights to get the desired speed and height of the bounce.
Comments: This Seitz concerto is one of his less famous, but no less beautiful or exciting. It requires more dexterity and bow control than those included in the Suzuki repertoire. Although it presents several new challenges for growing violinists, the beautiful melodies and fun rhythms make the work well worth it.

Click here to download the free violin sheet music.

#6 Antonio Vivaldi: Violin Concerto No. 4 in G Major RV 310 (pub. 1711)

Length: 7 minutes (3 movements)
Positions: 1st position, minimal 3rd
Important techniques: Bariolage, sudden dynamic changes
How to Practice: Use much ess bow for the softer passages and lighten the contact pressure.
Comments: This piece does not present many challenges different from the Baroque concertos already listed, making it a relatively quick addition to your intermediate repertoire. While the notes are not terribly difficult, the main challenge is emphasizing the dynamics which bring the piece to life.

Click here to download the free violin sheet music.

#7 Oskar Rieding: Concertino in A Minor in Hungarian Style (1905)

Length: 7 minutes (1 movements)
Positions: 1st-3rd
Important techniques: Accents, natural harmonics
Comments: Here is another beautiful Rieding concertino, this time with a bold Hungarian flavor. Beyond learning the notes, focus on bringing out the accents and syncopations to really fulfill the piece’s character.

Click here to download the free violin sheet music.

#8 Jean Baptiste Accolay: Violin Concerto in A Minor (1868)

Length: 8 minutes (1 movement)
Positions: 1st-5th
Important techniques: More complex shifts, double stops, off-beat accents, saltato, cross-fingerings (i.e. quickly changing accidentals)
How to Practice: Isolating the shifts is very important for this piece, as well as practicing the slurred sixteenth-note runs in stopped bows and rhythms. Improve the accents by using slightly more bow and pressure on the accent with a little extra vibrato. For the saltato, practice slowly with very loose flexible bow hand fingers. The bounce will come naturally as you increase the tempo.
Comments: A popular bridge between student concertos and mainstream repertoire, the Accolay concerto takes a step into more complex shifting and bowing techniques. It alternates between flowing melodies and technical passages, packing a lot of important techniques and contrasts into just eight minutes.

Click here to download the free violin sheet music.

#9 Joseph Haydn: Violin Concerto No. 4 in G Major (1761)

Length: 17 minutes
Positions: 1st-3rd
Important techniques: Double stops, cadenzas
Comments: This charming baroque concerto is a fan favorite. The opening movement flows like a joyful, babbling brook, leading to a gentle middle movement and a jubilant conclusion. It is a good introduction to the world of Bach, Haydn, and Mozart concertos.

Click here to download the free violin sheet music.

#10 Dmitry Kabalevsky: Violin Concerto in C Major (1948)

Length: 18 minutes (depending how fast you want to play) (3 movements)
Positions: 1st-7th
Important techniques: Rapid string crossings, pizzicato chords, double stops, collé
How to Practice: Many people struggle with how to play pizzicato chords loudly. Here’s a helpful trick: pluck all the strings at once, over the fingerboard, but diagonally leading away from the bridge. This will help the strings resonate better. The fast arpeggios are also difficult—practice slowly in martelé keeping the bow in constant firm contact with the string.
Comments: Kabalevsky was a wonderful Russian composer who dedicated his life to writing actually beautiful, intriguing pieces for children. Although not officially called a student concerto, his violin concerto is often used that way. However, it has such artistic merit that it has also been recorded by artists such as David Oistrakh, Gil Shaham, and Pinchas Zukerman.

Click here to buy the violin sheet music.

#11 W.A. Mozart: Violin Concerto No. 3 G Major (1775)

Length: 25 minutes (3 movements)
Positions: 1st-5th
Important techniques: Requires an advanced understanding of stylistic phrasing
Comments: Any professional violinist will tell you that Mozart concertos are deceptively difficult. The notes of this concerto are manageable, but it requires pristine clarity and stylistic nuances. Even so, Mozart concertos are essential for every violinist’s repertoire, and this concerto is the best place to start.

Click here to download the free violin sheet music.

#12 Joseph Haydn: Violin Concerto No. 1 in C Major (1760s)

Length: 30 minutes (3 movements)
Positions: 1st-7th
Important techniques: Slurred double stops, complex rhythms, string crossings,spiccato
Comments: This is the fiery older sibling of the G major concerto. It is regularly performed by high-level soloists, and is one of the most famous Baroque violin concertos. The cadenzas build on the techniques included in the piece itself.

Click here to download the free violin sheet music.

#13 J.S. Bach: Violin Concerto in E Major (year unknown)

Length: 15 minutes (3 movements)
Positions: 1st-5th
Important techniques: Cross fingerings, double-sharps
Comments: You knew that in a list of thirty violin pieces Bach was going to come up eventually. His concertos are often perceived as student concertos but they certainly weren’t intended that way. Only three of his violin concertos survive, and the E Major is a particularly cheerful example. It is not known for certain when he wrote it, but it was probably while he worked for Prince Leopold in Köthen, or else during how later years in Leipzig.

Click here to download the free violin sheet music.

#14 Giovanni Viotti: Violin Concerto No. 22 in A Minor (1803)

Length: 28 minutes (3 movements)
Positions: 1st-6th
Important Techniques: Trills, double stops, bariolage
Comments: Viotti wrote, get this, 29 violin concertos. Only 22 and 23 are generally performed, but a violinist named Franco Mezzena recently recorded every concerto so they aren’t forgotten. There are certain difficulties, including several cadenzas in the second movement especially. The bariolages are challenging because they cross back and forth from the E string to the G string. It is also excellent practice for thirds. Although it is not among the most famous today, it was Johannes Brahms’s favorite violin concerto.

Click here to download the free violin sheet music.

#15 W.A. Mozart: Violin Concerto No. 5 in A Major (1775)

Length: 28 minutes (3 movements)
Positions: 1st-9th
Important Techniques: Extended 4th finger, clear dynamic changes, stylistic phrasing
Comments: In all of Mozart’s work, clarity, poise and intentionality are crucial. This beloved concerto is particularly challenging for intonation due to its extended fourth fingers, fast shifts through many positions, and brilliant trills, not mention the cadenzas.

Click here to download the free violin sheet music.

#16 Antonio Vivaldi: The Four Seasons (1718-1720)

Length: 50 minutes (4 concertos, 3 movements each)
Positions: 1st-6th
Important Techniques: Arpeggiating, double stops, being able to read and play 32nd-note passages
Comments: I ranked this one high on the list mostly because of its length (if you’re playing all four concertos) and because of its incredibly flashy passagework. However, there are several individual movements that are not as difficult. For many players, this is one of the first introductions to reading long passages of thirty-second notes. The secret here: use a metronome!

Click here to download the free violin sheet music.

#17 Max Bruch: Violin Concerto No. 1 in G Minor (1866-67)

Length: 25 minutes (3 movements)
Positions: 1st-10th
Important Techniques: Chords, thirds, very long runs, cadenzas, trills
Comments: This concerto is so loved that it is performed constantly by students and professionals alike. It is beautifully melodic, making it easier (and perhaps more enjoyable) to learn than some other big concertos, but it still requires a lot of skill. If you are looking for your next step into major violin concertos, Bruch is always an excellent place to go. (Check out also his Scottish Fantasy).

Click here to download the free violin sheet music.

#18 Camille Saint-Saëns: Violin Concerto No. 3 in B Minor (1880)

Length: 35 minutes (3 movements)
Positions: Basically all of them. Particularly on the E string, yikes!
Important Techniques: Shifting high on the G string, using all positions on the E string, double stops, chromatic passages, false harmonics
Comments: Another concerto not very well-known among non-violinists that deserves to be heard more often. The end of the second movement is both hauntingly beautiful and difficult to execute: It is a series of arpeggios played entirely in false harmonics that must be flawlessly in tune.

Click here to download the free violin sheet music.

#19 Samuel Barber: Violin Concerto (1939)

Length: 23 minutes (3 movements)
Positions: 1st-12th
Important Techniques: Long legato phrases, chromaticism, spiccato especially in third movement.
Comments: Few pieces ever composed can match the lush gorgeousness of Barber’s violin concerto. He composed the first two movements together and added the third later, which is why it is so different. Students often learn the first movement only because the finale is literally five straight pages of spiccato triplets at break neck speed. The notes are not terribly difficult once you understand the patterns, but it does require many hours of slow, focused practice.

Click here to buy the violin sheet music.

#20 Edouard Lalo: Symphonie Espagnole (1874)

Length: 23 minutes (5 movements)
Positions: Full range
Important Techniques: Fast legato slurred passages, high positions, jump shifts, harmonics, double stops
Comments: The opening of this concerto is extremely famous, jumping from third to twelfth position in only two octaves. The feisty Spanish flair of this piece brings with it many challenges for both the right and left hands, which must work together to create dramatically articulated passages. Every movement has a slightly different tone and character that must be expressed.

Click here to download the free violin sheet music.

#21 Henryk Wieniawski: Violin Concerto No. 2 in D Minor (1856?)

Length: 25 minutes (4 movements)
Positions: Full range
Important Techniques: Upbow staccato, spiccato, rapid string crossings
Comments: You’ve probably noticed by now that many of the techniques listed overlap between concertos. (This is why it is soo helpful to practice etudes.) However, this concerto is famous for a very specific reason. The end of the first movement is full of descending upbow staccato scales, a very difficult and impressive technique.

Click here to download the free violin sheet music.

#22 Felix Mendelssohn: Violin Concerto in E Minor (1838-44)

Length: 33 minutes (3 movements)
Positions: Full range
Important Techniques: Ricochet, octaves, spiccato, thirds
Comments: Another must-learn, the Mendelssohn is usually considered among the four greatest concertos ever written. Like the Mozart it requires constant precision and delicacy. The extensive cadenza in the first movement that melts effortlessly back into the main theme is one of the most beautiful parts of this piece and one of the most difficult.

Click here to download the free violin sheet music.

#23 Peter Tchaikovsky: Violin Concerto in D Major (1878)

Length: 35 minutes (3 movements)
Positions: At this point in the list, all of them from here on out.
Important Techniques: All the previous challenges mentioned, including fast chromatic runs, jump shifts, many types of chords, and cadenzas
Comments: This emotional concerto takes a huge leap beyond Mozart and Mendelssohn into romanticism. The orchestral accompaniment becomes more intense, the solo line less predictable. However, unlike experimental concertos that came afterwards it still maintains its harmonic and melodic structure while pushing the abilities of the player. As an aside, the second movement is a lovely solo piece alone that is not nearly as difficult as the outer movements.

Click here to download the free violin sheet music.

#24 Dmitri Shostakovich: Violin Concerto No. 1 (1947-48)

Length: 38 minutes (4 movements)
Positions: Much of it stays in the lower positions but it does utilize the high registers of the E string.
Important Techniques: Spiccato, chords, false harmonics, chromatic finger-sliding (for lack of a better term)
Comments: This unusual concerto may not be everyone’s cup of tea. It is intentionally dissonant and ambiguous, creating a very different mood than Tchaikovsky’s. On the page there appear to be fewer notes than in most major concertos. The unusual intervals and chromatic runs are what make it challenging. This is a great concerto for stretching yourself and breaking out of the strictly classical/romantic norm.

Click here to buy the violin sheet music.

#25 Jean Sibelius: Violin Concerto in D Minor (1904-05)

Length: 32 minutes (3 movements)
Positions: Full range, including very high on the G string
Important Techniques: Reading complex rhythms, complex chords and shifting, extremely specific technical markings
Comments: Sibelius dreamed of being a concert violinist, and when that didn’t work out he settled for writing an insanely complex violin concerto. In fact, the original version was so difficult that he had to edit it. Additionally, he put in extremely specific markings, both symbols and words, because he wanted everything a certain way. This makes the sheet music look…crowded. Simply deciphering everything on the page is the first step before learning the notes!

Click here to download the free violin sheet music.

#26 Nicolo Paganini: Violin Concerto No. 1 in D Major (1816)

Length: 36 minutes (3 movements)
Positions: Full range
Important Techniques: Thirds played as spiccato sixteenths (ouch), ricochet, upbow staccato, jump shifts
Comments: Paganini wrote six violin concertos, but this is certainly the most performed. There is an incredible range of emotions: joyful, playful, cute, angry, and flamboyant. Like basically everything else Paganini wrote, it requires incredible dexterity, and the cadenza written by Sauret is one of the hardest cadenzas ever.

Click here to download the free violin sheet music.

#27 Johannes Brahms: Violin Concerto in D Major (1878)

Length: 40 minutes (3 movements)
Positions: Full range
Important Techniques: Being able to stand there for two minutes listening to the orchestra play and then suddenly be like “Ooh yay, I get to play octaves now!”
Comments: Brahms’ violin concerto is reminiscent of a symphony. Several concertos, such as Sibelius and Mozart No. 5, have a slow, graceful introduction before the main theme. This both creates a beautiful transition and allows the player to briefly warm up his fingers. In Brahms, after two minutes of orchestra introduction, the fireworks start immediately.

Click here to download the free violin sheet music.

#28 Ludwig van Beethoven: Violin Concerto in D Major (1806)

Length: 46 minutes (3 movements)
Positions: Almost full range
Important Techniques: Octaves, long legato slurred sixteenths, incredible memorization abilities
Comments: The Beethoven is more classical, so it doesn’t look as difficult as the other concertos high on this list. Yet it combines the precision of Mozart with the stamina needed for Brahms. The soloist gets very few breaks. The third movement, which is a rondo where the theme repeats periodically, requires excellent memorization skills so you don’t repeat the same thing too many times!

Click here to download the free violin sheet music.

#29 Jennifer Higdon: Violin Concerto (2008)

Length: 32 minutes (3 movements)
Positions: All of them. Just all of them.
Important Techniques: False harmonics, difficult double stops, very very fast passage work while doing double stops/ trills, etc.
Comments: Higdon wrote this concerto for Hilary Hahn and it won the Pulitzer Prize for music in 2010. It has three unusually named movements: “1724”, the address of the Curtis Institute of Music where Higdon works, “Chaconni”, and “Flying Forward”. All three movements are very innovative, and the last is an intense showpiece. This concerto is distinctly modern, but still impressive and enjoyable when understood in its context.

Click here to buy the violin sheet music.

#30 Grażyna Bacewicz: Violin Concerto No. 3 (1948)

Length: 24 minutes (3 movements)
Positions: Please don’t make me think about it.
Important Techniques: Double stops, fast runs, trilled glissandos, cadenzas, weird shifts
Comments: I almost guarantee you’ve never heard of this concerto, and I don’t know anyone personally who’s played it. Bacewicz is one of the only internationally-known Polish women composers. She was also an accomplished violinist so many of her compositions feature violin. This piece is very modern and other-worldly, but doesn’t quite embrace atonalism. I put it this high on the list because of its lack of clear melodic lines make the fast runs and shifting even more difficult to learn and habituate.

Click here to buy the violin sheet music.

#31 György Ligeti: Violin Concerto (1992)​

Length: 28 minutes (5 movements)
Positions: Just…don’t ask.
Important (or just plain weird) Techniques: Ligeti utilizes the overtone scale using harmonics. Because of this, the concertmaster and principle violist have to retune their violins so that they will be in tune with the natural harmonics.
Comments: I looked around a lot and I literally could not find a concerto harder than this. If you can think of one, please of leave it in the comments! It pushes the extreme limits of the instrument.. Imagine Paganini but in the late twentieth century. There are very unusual sound effects throughout that you would never expect possible in a violin concerto. Even superstar violinist Augustin Hadelich says that the cadenza, written by Thomas Adès, is one of the hardest things he’s ever had to learn.

Click here to buy the violin sheet music.

Hi! I'm Zlata

Classical violinist helping you overcome technical struggles and play with feeling by improving your bow technique.

There’s my list of 30 violin concertos ranked from easiest to hardest!

I hope you enjoyed listening and learned a lot about what violin concertos there are and what makes them difficult to play (or not).

If you were to add some, where would you put them? Would you change anything about the list, and what do you think is the hardest violin concerto ever? Please let me know in the comments!

If you’re an intermediate or beginner violinist looking for more student concertos then check out my list with 107 easy violin concertos including free violin sheet music downloads right here.

Best Violin Shoulder Rest in 2023: Complete Buying Guide

The BEST violin shoulder rest for you is very personal

It depends on your playing style, your violin hold, the length of your neck and the shape of your shoulder.

As a violin teacher I present the best violin shoulder rest for each body type and each problem below

There’s no cookie cutter solution that works for everyone, but from teaching hundreds of students and hearing the opinions of my colleague professional violinists and teachers there are definitely some of the best violin shoulder rests for particular demands.

Instead of just pointing out the most popular rests you can buy today, I will present:

  • best all round violin shoulder rest
  • most popular violin shoulder rest amongst professionals
  • best priced violin shoulder rest
  • best violin shoulder rest for children
  • best violin shoulder rest for if your violin slips off your shoulder all the time
  • best violin shoulder rest if you have a short neck
  • best violin shoulder rest if you have long neck
  • most expensive violin shoulder rest
  • best sounding violin shoulder rest
  • carbon fiber violin shoulder rest
  • NO violin shoulder rest (and the advantages of playing without)

Best all round violin shoulder rest

Wolf Forte Secundo

Weight: 68 grams (average), Price: $ 31

This shoulder rest is most recommended by violin teachers world wide. It’s around for quite a while, but it’s definitely still the violin shoulder rest to look at first. Here’s why:

  • It extremely durable: some use it for decades
  • Your can bend and tilt the metal base and shape it to fit your collar bone
  • It doesn’t fall off the violin easily, because the feet grab the edge of the violin nicely and you can adjust the rubber if necessary
  • You can adjust it in width and height. If you have a long neck you can even use the extra tubes on the feet screws to make it even higher.
  • For children it’s available in all fractional sizes and in attractive colors (amongst which sparkly pink)

There is a small con to this violin shoulder rest, which is that because it’s so adjustable, it might also take some time to really fit it well. A violin teacher can definitely help with that as they most of the times have a lot of experience with this particular rest. If you’re self-learning, definitely take some time to try out different set ups of this rest until you’re absolutely comfortable.

Violin shoulder rest used most by professionals

Kun Collapsable

Weight: 68 grams (average), Price: $ 29

Kun is the go-to brand of violin shoulder rests used by professionals and the Kun Collapsable is the most popular type.

The Kun Collapsable can… (you guessed it) collapse, so you can easily fit it in your violin case. At the same time it’s very sturdy. You adjust the width not with a system that slides, but by screwing the feet in another whole. In this way it keeps it set up very well. For example the Wolf shoulder rest above needs to be adjusted from time to time.

The Kun is also adjustable in height. If you have a long neck, you can buy feet with extra long screws, so you can adjust it even higher than it normally goes.

The pad of the shoulder rest is not adjustable like the Wolf, but for most people the shape is very comfortable and fitting.

For the young fiddlers this model is available in fractional sizes and different colors.

Best priced violin shoulder rest

Fiddlerman Wood

Weight: 58 grams, Price: $ 20

If you’re on a small budget, get the Fiddlerman Wood shoulder rest. It’s about the best bang for your buck.

Usually cheap violin shoulder rests, that are not from the major brands, are not as comfortable and don’t last as long. They can even damage your violin as they fall apart. Here’s the exception!

Just as the Kun the Fiddlerman Wood shoulder rest has collapsible feet, is adjustable in height and width and has comfortable foam padding. The base of the shoulder rest is made out of wood, which gives a warm resonance.

Best violin shoulder rest for your child

Everest

Weight depends on size, Price: $ 18

As a mom of five I know all about that on one side you want the absolute best for your child, but you also don’t want to break the bank as violin lessons are expensive enough as they are, aren’t they? It must also be sturdy, because kids… Oh, and is your daughter as obsessed about pink as mine is? Well…

Here comes the Everest shoulder rest. It’s sturdy and durable. It’s adjustable in width and height, it has a comfortable shaped pad and it comes in 10 (!) colors. Plus: as it costs just $ 18 as I’m writing this article it absolutely doesn’t break the bank.

Side note: for very small children’s sizes like 1/8 and 1/16 Kun still makes the best rests. Get an Original or Collapsable mini. For these small sizes all the brands make rests, but often they are a bit too chunky for those short necks. For very young fiddlers, a simple cushion or cloth wrapped around the violin is sometimes most comfortable.

Best violin shoulder rest for if your violin slips off your shoulder all the time

BonMusica

Weight: 136 grams (relatively heavy), $ 60

This is definitely not the cheapest shoulder rest, but it’s advantage is that it has a ‘hook’ that goes over your shoulder. This is THE solution if your violin slips off your shoulder all the time. If you have a long neck and a slim body type, this might be the best violin shoulder rest for you.

The con of the BonMusica is that the shoulder rest is quite large in it’s construction (because of that handy hook), so it doesn’t fit in most violin cases. However you might have a sheet music bag anyway, in which you can carry this rest.

Best violin shoulder rest if you have a short neck

Playonair Deluxe

Weight: 68 grams, Price: $ 33

Do you feel that shoulder rests don’t fit between your chin and collar bone? Do you wish you could make your shoulder rest lower?

Consider a comfortable cushion like this inflatable Playonair. This is lower that regular shoulder rests at their lowest. Also you can inflate it a bit more or let some air out to adjust it. You are also very flexible in how you position it on your violin.

Why do I recommend the Deluxe version and not the Crescent? The last covers only a part of the violin, so for a lot of players they then have the hard violin right on their collar bone. The Deluxe covers a bit more of the violin, so is comfortable for more players.

Best shoulder rest if you have a long neck

Consider this: the higher you make your shoulder rest, the higher your violin will be positioned. This means that you have to lift your arms more, which can cause you to be uncomfortable or worse: injure yourself.

Yes, for the Wolf en Kun rests you can get accessories to make the feet higher (for the Wolf these are tubes and for the Kun you can buy new feet with longer screws). Note that for the Wolf the tubes are most of the times included when you buy your rest. Just experiment with them! This can help, but it’s best to…

Get a higher chinrest! (or an adjustable one)

If you have a higher chinrest, you have a fitting set up for a long neck and at the same time your violin can be on a comfortable height (which is ON your collar bone).

Lots of common chinrest models can be bought in different heights, like this extra tall Guarneri chinrest. To get to the right size, adjust the shoulder rest so that the violin (almost) rests on your collar bone and then measure the distance from the violin to your chin.

An alternative is a fully adjustable chinrest like the Kreddle, which you can adjust in height.

 

 

Most expensive violin shoulder rest

Pirastro Korfker

Weight: 32 grams (very light), Price: $ 384

Would you buy a shoulder rest of over $ 300? And over $ 1,000? Well, if it’s truly a difference in how you sound and how comfortable you are while playing the violin and the violin is very important in your life (as a professional or amateur)… it might just be worth it.

The advantages of this rest are that it’s made out of bendable tone wood and gets your violin a great resonance (some shoulder rests mute the sound with the feet and other parts). It is extremely light (38 grams). You can bend it and very precisely adjust the height, width, position and tilt.

The Cradle variant is over $ 1,000 and is said to get an even better sound.

Best sounding violin shoulder rest

(Pirastro Korfker alternative)

VLM Augustin Diamond

Price: $ 60

I personally use and recommend this rest as a professional violinist

A cheaper alternative to the Pirastro Korfker rest is the VLM Augustin Diamond. The base is made out of maple (used for violin making) and the feet barely touch the violin. Although the rest doesn’t slip off, it still leaves enough space for the violin to resonate. It’s adjustable in width and height. Also this rest is light weight. The feet are collapsible to facilitate storage, and it’s patented 360 degree circular lateral adjustment gives you some extra possibility to adjust it to your body. It looks different than the Korfker rest, so I wouldn’t say that it’s similar. Also you can’t bend the base.

I use this rest myself for quite some years and highly recommend it!

Carbon fiber violin shoulder rest

Fiddlerman light carbon fiber

Weight: 59 grams, Price: $ 12

Just as we have carbon fiber violin bows, also shoulder rests are sometimes made out of carbon fiber. The advantages for shoulder rests are that they are light, durable and let the violin resonate well. Compared to good quality wood, carbon fiber can be cheaper.

This is why the Fiddlerman light carbon fiber violin shoulder rest is such a great deal. You can choose for a hip carbon fiber look, but it’s also available with a more traditional wood look. Note that this rest is affordable, because it’s made out of carbon/polymer composite and the carbon fiber pattern is just a look.

I’ve tested this shoulder rest in this video against the more expensive carbon fiber Kun Voce, which seems to be discontinued.

Playing the violin without a shoulder rest

This is a HOT discussion in the violin world, so I hope not to burn my fingers here. Thing is: the shoulder rest isn’t that old. The violin exists almost 500 years and the shoulder rest just came in the last (about) 50 years.

For centuries violinists have played without a shoulder rest

Sometimes pro-shoulder-rest-fanatics (is that a thing?) say ‘yeah, but that was before we started shifting so much’. Well… Paganini played without a shoulder rest. He let the violin rest in his left hand. Most virtuoso violin pieces we play today have been composed and performed in a time when there were no shoulder rests. Still today, amazing virtuoso players like Anne-Sophie Mutter play without a shoulder rest. They can definitely shift and do vibrato!

The advantages of playing without a shoulder rest are:
  • Your violin can resonate fully
  • You are forced to have good contact between the left hand and the violin, often resulting in a stable intonation and less strain on the neck
  • You are forced to find a good balance and not depend on the shoulder rest
  • Your shoulder rest can’t fall off during a performance (nightmare!)

This doesn’t mean that you should ditch your shoulder rest! It just means that you should find a solution that is most comfortable for you and with which you can play the best.

Hi! I'm Zlata

Classical violinist helping you overcome technical struggles and play with feeling by improving your bow technique.

We don’t all wear the same type and size of shoes (or go barefoot), so we don’t all use the some (or no) shoulder rest on the violin

I hope I’ve pointed out which violin shoulder rest is best to buy when, so you can start your quest to your ideal shoulder rest.

Still it will always be a very personal choice. Don’t let people tell you that you should use this or that rest simply because they are comfortable with it themselves.

It might cost some time before you’re truly happy with your violin shoulder rest and it can change after a while.

Go for what works best for you!

Now I’m curious…

What do you think is the best violin shoulder rest?

Leave a comment! I’d love to read your experiences, tips and opinions.

Can you learn to play violin by yourself?

“I would LOVE to learn to play the violin!! But… can I do that on my own?”

Music enthusiasts of all ages have asked themselves this question. Sometimes they have just inherited a violin from a relative and want to put it to use. Others have a strong desire to learn such a beautiful instrument but don’t have an available group class or the ability to take private lessons. Then there are cases where a parent decides to let their child try violin on their own before getting a teacher “to see if he’ll like it”. Because the question of needing a teacher or not arises in so many different situations, it is impossible to give one single answer. Instead, I will break down some of the reasons you may want a teacher, ways you can learn on your own, and resources for getting started on the right foot.

Child vs. Adult Violin Learners

The player’s age is a big factor in determining if to learn on one’s own. Take for example the parent who hands his six-year-old son a violin and says, “See how you like it first, then we’ll get a teacher”. Obviously, the child has no idea where to start and no structure, so how can he enjoy it? Children need clear hands-on guidance from the beginning. However, an older teen or adult who has some previous experience with reading music and playing other instruments can teach themselves several things with perseverance and the right resources.

What are your Goals with the Violin?

Based on your goals, you will require different levels of proficiency. Are you interested in picking up an extra hobby to enjoy in your free time? Do you want to play for your friends? In your local community orchestra? Or would you eventually like to teach or earn paid gigs someday? If you have professional aspirations such as teaching or playing in paid ensembles, it is very important to get a quality teacher as soon as possible. You will want to learn quickly and efficiently and make sure you are not misleading yourself. However, if you simply want violin to be a relaxing, fun extra hobby, you can have a lot of fun with it on your own before deciding to take further steps.

Previous Knowledge

Have you played an instrument before? What do you remember? Can you read music, rhythms, or figure out fingering charts? Many musicians with experience in other instruments are able to pick up violin on the side because they already understand how to practice and problem-solve. If you have no previous musical experience, it would be a good idea to consult with a teacher on how to consistently improve and develop a good routine, because the wealth of information out there can be overwhelming.

Having a Good Violin Set-Up

What is the biggest challenge facing beginner violinists? Notes? Rhythms? Finding pieces they want to play? No, it’s actually just having a good instrument and being able to hold it. The number one reason aspiring violinists quit is because they buy instruments that are poor quality, so no matter how hard they try they can’t produce a good sound. Either that, or holding the instrument is so awkward and uncomfortable that practicing is more pain than joy. This is the biggest thing a teacher can help with. Professional teachers understand the dangers of low-quality instruments, and can advise on where to buy or rent suitable violins. They also can teach a free and relaxed violin hold that doesn’t cause pain. Your teacher will explain to you how different body parts interact to support the instrument, and can also help find specific chin rests or sponges that fit your body better and help you play freely. I cannot overestimate how important this is, so even if you’d rather learn on your own long-term, consider meeting a few times with a teacher at first to double-check your instrument and set-up.

Choosing Pieces and Exercises for the Violin

There is an overwhelming amount of material for beginner violinists. Method books, scales systems, fingering charts, and simplified arrangements abound. If you are doing it on your own it is very difficult to know where to start, and even more difficult to know how to proceed. Yes, you could just try playing your way through Suzuki book 1, but you will miss some of the finer points of technique that a teacher would bring up. If you want to learn supplemental material, it is difficult to know without pedagogical background what pieces fit where. This is a source of great frustration. Good teachers provide guidance on what their students are ready for, what techniques they have comfortably learned and what will healthily stretch their abilities. A teacher will provide clear guidance on where you should look next, rather than trying to sift through countless options on your own.

Practicing the Violin

Okay, this is the biggest challenge we ALL face… It also ties in to what I mentioned above. Having someone to whom you are accountable and who is regularly critiquing your work provides motivation to be consistent. Without a teacher, it is easy to put that difficult technique off a day, a few days, next month… You may feel guilty because you know exactly what you need to work on to improve, but have no real motivation to tackle that thing. Teachers provide the encouragement and accountability needed to stay on track in those difficult areas. They also help create a practice schedule so you can work efficiently and not waste precious time and energy.

Challenging Yourself

Almost everyone falls into one of two extremes: always preferring the easy way out, or pushing yourself so hard that you get discouraged. In any type of self-study these are very dangerous. In the first scenario, you will never discover your true potential because you go in circles, repeating easy habits instead of taking the next step. Others will impatiently jump to something very difficult they are not prepared for and lose heart. It is possible to find a middle ground on your own if you’re someone who is good at finding balance. You should always be practicing something familiar you find satisfying and also new things that make you think a little harder. There is so much material out there that you will always find something new. Again, teachers understand the learning curves in violin and know when it’s time to introduce something new.

Join my FREE beginner violin course

I take you from scratch step by step to your first violin concerto including 40 videos, sheet music and violin tabs.

Hi! I'm Zlata

Classical violinist helping you overcome technical struggles and play with feeling by improving your bow technique.

Resources for Learning the Violin

Let’s say you would rather work on your own at the moment, but you want to do it in the best way possible. Where should you start? My website contains lots of fantastic resources for self-taught beginner or intermediate violinists. Also they are great to check out in between lessons if you have a private violin teacher.

Once you have an instrument and set-up you’re happy with, check out my FREE 10 lesson beginner course. We’ll start from the very beginning of how to hold the instrument, and learn fun, famous tunes for which you won’t have to read music. I include basic, important information such as tuning, fingering charts, first scales and songs, etc.

After that I have hundreds of video tutorials sorted by level for learning new pieces, special techniques, and even concertos! As a bowing coach, many of my videos focus on how to get a gorgeous sound from the start by actually focusing on the bow rather than the left hand. Having a firm understanding of bow technique from the very beginning will make your violin journey so much easier, I can tell you that! All these videos are completely free for you to use and learn from, as are my online tuner, metronome, and fingering charts. If you’re still stuck on something, I may have many blog articles that go into detail on specific pieces and techniques. With some time and determination, you will find something among these resources to inspire you and spark your curiosity.

In Conclusion

While having a teacher is always preferable given everything discussed above, it is perfectly understandable that it is not possible in all circumstances. If finding an in-person or online teacher is not currently an option, it is worth also considering group classes because they are typically less expensive but still provide valuable help. If you hope to be able to have a teacher in the future, using the free resources available to you now will keep your motivation up until that time comes.

A Major Violin Scale with Pics, Notes and Sound Samples

Learn the A Major scale on the violin with free sheet music, finger charts and audio samples

The first scale on the violin you should learn is the A Major scale. The easiest version is 1 octave and you can expand them to 2 octaves, 3 octaves and even 4 octaves. Read, listen and learn all about them in this article, so you’re set up for success to play them yourself.

A Major Violin Scale

This is the first scale almost all violinists learn and a very comfortable key to play in. It has three sharps, F#, C#, and G#.

Easy A Major scale on the violin for beginners (1 octave)

(Sensational Scales p. 2-4)

Start on open A. The fingering pattern is easy here because you just have to follow the tapes if you have them. If you don’t have tapes, make sure your high second finger always touches third finger. For the E, you can choose whether to play four on the A string or open E string.

Sensational Scales includes exercises in broken triads. These are the exact same notes and fingerings, just in a different order. Start on A, skip up to C#, come back down one step to B, skip up again, etc.

A major scale violin 2 octaves

Once you’ve learned the high third finger, you can add a lower octave to your A major scale. This is still all in first position.

(Sensational Scales p. 16-17)

Here we add the lower octave on the G and D strings. Start on 1st finger G string. The fingering is pretty simple, just make sure to play high 3’s on the G and D strings. Everything else is the same, no shifting is necessary. Also try the bowing variations given in the book.

A major scale violin 3 octaves (intermediate)

(Sensational Scales p. 58,71)

This advanced scale requires shifting up to third, fifth, and seventh position. For most accurate results, always slide the shift carefully, never jump or jerk. The book gives two different options for fingerings. The Carl Flesch fingering is the most common. Experiment with both to become a flexible player. The arpeggios here cycle through both A major and A minor (scroll down to learn all about the arpeggios).

A major scale violin 4 octaves (advanced)

(Sensational Scales p. 79)

A Major is one of the few scales that violinists can actually play in four octaves. That last A is one of the highest notes on the violin. Four octave scales don’t come up in sheet music very often, but examples in A major are the opening of Paganini Caprice No. 5 and the last few lines of Saint-Saëns Introduction and Rondo Capriccioso. If you hope to play this repertoire someday, brushing up on your four-octave scales would be a good idea.

Fingering-wise, once you get to third position A on the E string, just keep going up 1-2-1-2 until you get to the D in 13th position. Play the last five notes 1-2-3-4-extended 4 for the last A. Bring the four back to G. After that, it’s just 3-2-1 shifts all the way down the E string.

What are the A Major arpeggios on the violin?

Arpeggios are chords of which you play the notes one by one. I explain all about them in this article.

In scales you play the notes of a key like A major one by one. To also learn jumps of various intervals and different finger patterns in a scale, you should practice arpeggios.

Here are the arpeggios of the one octave A major scale:

ALL A Major Arpeggios on the violin over 3 octaves

From the arpeggios above, we can make the 3 octave arpeggios that are very effective to study. These are from the Carl Flesch scale book.

Why practice violin scales?

Practicing scales on the violin is very important to:

Actually there’s nothing you can NOT learn with scales. You get to know the violin fingerboard, where all the notes are and in general scales are a laboratory to improve all aspects of your violin playing.

If you start each practicing with scales, you’ll notice that your overall violin technique improves and you can learn all the piece you love to play faster and better.

Download my free violin scale book Sensational Scales to get started right away!