17 Best Online Violin Lessons, Courses and Apps: REALLY learn to play!

Violin teacher recommends online violin lessons that actually work

The violin is a difficult and sensitive instrument to learn, but also one of the most expressive instruments and very rewarding to learn.

Especially if you’re looking for (adult) beginner violin lessons online, it’s important that you learn a good basic technique so you can play in tune and make a beautiful sound.

Are you looking for ways to improve, stay motivated, and learn more about your instrument, but without leaving your own home? One incredible advantage we have over violinists 200 years ago is the internet. No matter how far along you are in your violin journey, you can always find inspiration from the phenomenal resources, lessons, and performances online. Here I’ve compiled just a small slice of the most popular web sites. This is particularly for beginner violinists in mind, but players of all levels can learn from these resources.

Can you really learn to play the violin online?

Distance learning in music is hundreds of years old. For example the violinist Tartini wrote letters to his students with hints to improve their violin playing. From this resulted his famous book ‘the art of bowing’ that has benefited violin players over the world for centuries.

You can combine online violin lessons and resources with traditional ‘offline’ violin lessons or learn on your own. Especially for self led adults who don’t have the ambition to become professional musicians, it’s perfectly possible to learn to play the violin online.

Free and paid online violin lessons

In this top 17 I will discuss free as well as paid, cheap and expensive options to learn to play the violin. In this day and age there are thousands of free YouTube violin lessons and tons of free resources. Money doesn’t have to be a problem of you’re determined to learn the violin.

Let’s start with our top 3 online violin lessons!

Below is a quick guide to our three top picks when it comes to online violin lessons, courses and apps. After that I will discuss the 17 best online violin lessons in detail.

Best violin lesson videos

iClassical Academy

This website has a wonderful library of lesson videos (masterclasses) for a variety of level of players and by famous violinists like Leonidas Kavakos. They have wonderful courses on Bach’s Sonatas and Partitas and Paganini Caprices, but also cover more basic techniques like a vibrato trainer and an intermediate course about bowing technique. Their videos on Kreutzer etudes are valuable even for children who have violin lessons.

With subscription options of around $ 19 they are one of the most affordable academies with a very high level of quality and an enormous video lesson library.

Join and use coupon VIOLINLOUNGE20 for 20% off.

Best violin sheet music app

Tomplay

If you’re looking for violin sheet music and an effective way to practice, take a look at the app Tomplay. You can use it on desktop (Apple as well as Windows), Android devices and Apple devices like a smartphone or tablet.

They have a library of 60,000 sheet music arrangements, so the piece you’re practicing or song you’d like to play is probably in there: violin etudes, simple pieces, movie tunes, pop music and classical repertoire. You can play the violin, the accompaniment or both at any speed and use handy tools like a metronome.

Join and use coupon VIOLINLOUNGE30 for 30% off.

Best 1-1 live violin lessons

Play with a Pro

Play with a Pro is a platform where you can find your next violin teacher suitable for your level of playing. If you find it hard to find a local teacher, definitely check them out.

They not only provide a connection with your teacher, but you can schedule a lesson directly and use their software for the best performing video and audio during your live 1-1 violin lesson.

Videos and fancy apps are great, but in the end everyone who wants to learn to play the violin at a certain level needs live 1-1 lessons.

The quality of the teachers you’ll find at Play with a Pro is great: seasons professional orchestra players, soloists and sought after teachers.

Best online violin lessons for beginner violinists

If you’re just starting out on the violin, all the courses, websites and apps on this page might seem very overwhelming. A great place to start is my free 40 lesson violin beginner course. This takes you from scratch (pun intended) to your first violin concerto with basic technique, scales, etudes and wonderful pieces. This course offers more value than many paid courses. Sign up right here.

From the selection on this page, consider the Suzuki violin lessons at Learn Violin Online and the complete lessons inside Violin Lab. The website Violinspiration is aimed at adult beginner violinists and offers many free video lessons as well as a paid academy. If you want to connect to a teacher and have 1-1 live lessons, consider the Trala app.

Mind that these options are mainly suitable for adult beginner violinists. For children I recommend to get a local teacher.

Top 17 online violin lessons, websites and teachers

#1 Tonebase

Tonebase is similar to iClassical Academy but provides a broader range of topics and levels. Like iClassical, the teachers are all high-caliber violinists such as Augustin Hadelich, Stefan Jackiw, and Nancy Zhou. Many of these video lessons are applicable to beginners and include very helpful exercises. Categories include technique and skills, theory and musicianship, interviews, and masterpieces of the repertoire. In weekly live workshops, you can ask instructors your questions in real time. Every lesson comes with pdf resources such as workbooks and annotated scores. The online community supports each other and provides feedback. Tonebase even invests in education by giving a 30% discount to current students and educators.

Pricing:

Free: Youtube videos (a different channel for each instrument i.e. Tonebase Violin), three free video lessons, unlimited access with 14-day free trial
Subscriptions: $49/month, $299/year, $695/lifetime

Pros:

Detailed videos and course with sheet music, live advice from top musicians, interactive online community

Cons:

Tonebase is more expensive than other online lessons and does not provide different levels of membership. Also, the courses are not organized pedagogically so this would not be the best choice if you are looking for very structured step-by-step guidance.

#2 Learnviolinonline.org

With Learn Violin Online, you can access online courses, sheet music, and materials to progress in your violin studies. The courses are available 24/7 and there is no timeline to finish them, so you ned not feel rushed. There are different packages available depending on your needs, starting at $37/month. There is also an instagram account with lots of fingering tutorials on easy pieces.

Pricing:

Free: Instagram playalong tutorials, free beginner violin course, free vibrato course
$37/month: Access to all digital courses and the community
$57/month: All digital courses, the community, and video exchange feedback (asynchronous)

Individual courses are also available for purchase.

Pros:

Sample courses/videos you can try for free, supportive online community and lots of options between membership, short affordable courses and private lessons. Meghan is friendly person and a great violin teacher.

Cons:

Meghan is the only teacher on this platform.

#3 TomPlay

You’ve heard me talk about TomPlay before if you’re familiar with my channel. It is not exactly a lessons resource, but an extremely helpful sheet music app with over 60,000 arrangements. On TomPlay you can find professional recordings of piano accompaniments to pieces you’re learning, so you can practice it with piano. A handy feature is that you can even set the recording at different speeds so you’re not racing to catch up! The site features classical music as well film music and even rock. There’s a huge selection, so whether you want to play Vivaldi’s Four Seasons or the theme from Titanic, TomPlay can help you make practicing more engaging.

Pricing:

Use the coupon VIOLINLOUNGE30 for 30% off your yearly subscription.

Free: 14-day free trial, blog articles

$15/month: Unlimited access to entire score library

If you only want to practice a particular thing and don’t want to pay monthly, you can also just purchase individual scores.

Pros:

Only pay for what you need, available on any device. The scores scroll as you play, and you can make your own markings on the score and print it out. You can also set the track to help you practice one passage in a loop.

Cons:

Since it is a sheet music app, there are no tutorials. Also, if you wish to practice from the sheet music without the accompaniment, that can be difficult as there are no pedals to flip the pages. However, you can always print the music out instead.

#4 Stringosaurus

Teaching violin to 3-5 year-olds requires a lot of patience and dedication. Usually, the methods you’ve learned for older children just won’t work. Why? It’s simple: kids this age just want to play! They are incredibly brilliant and will absorb anything, but they are far more likely to stay engaged when play is involved. Through videos, books, and props, Stringosaurus turns practice time into a fun and hilarious story that also teaches basic violin and general music skills. If you’re hitting against a wall struggling to teach these amazing tiny students, try a new approach by checking out what Stringosaurus can offer.

Pricing:

Pricing: $24/month (for annual subscription): Membership in the Stringosaurus Resource Hub, with over 80 high quality resources and more being added, and online community support. Resources can also be purchased individually.

Pros:

Creative approach to early childhood musicianship, engaging games, easy-to-use platform, works well as a supplement or on its own.

Cons:

This website is aimed at violin teachers who teach very young children. This is not for players who are self learning.

#5 Takelessons

Takelessons is an online tutoring platform that helps students connect with teachers for one-on-one instruction. There are hundreds of violin tutors on this site, who set their own rates starting as low as $15. On a tutor’s profile you can view information about their background, any music degrees/performance experience they have, reviews from other students, and even videos of their own playing. When you find a tutor you’re interested you can message them right away to set up a lesson. You may find a tutor you love right away and want to keep working with them, or you might have to look around for a bit and try different people. This site is an easy way to connect with talented teachers all over the world. The only drawback is that Takelessons does not vet their teachers very much, so even if there are dozens of musicians with fantastic performance resumes it may take a while to find one who is also a good teacher.

Pricing:

Pricing: Pricing varies as the teachers set their own rates, but ranges between $15 and $100+ per hour. You always pay for lessons in advance.

Pros:

Live, one-on-one video lessons with the teacher of your choice, ability to try different teachers, no need to travel.

Cons:

Does not vet teachers very well, complaints about payment, cannot get your money back if you have to cancel less than 24 hours in advance.

#6 Play With a Pro

Playwithapro.com is very similar to Takelessons but with a higher standard for their tutors. They also only focus on music, whereas takelessons is for a variety of topics. The teachers come from around the world and are incredibly accomplished, most of them members of major symphony orchestras or university professors. This also means that the teachers’ rates are higher, averaging between $40 and $100 dollars per lesson. Fortunately many of them offer a free trial lesson where you can get to know each other before making a commitment.
In addition to live video lessons, the website boasts a “masterclass page” where you can watch over 200 hours of recorded instruction from the most successful classical musicians in the world.

Pricing:

Ranges from $45 to $100+ per hour

Pros:

Guaranteed professional musicians of the highest caliber, many of whom are multilingual, who can provide either regular lessons or a few masterclasses. The site also helps you match to teachers based on your skill level and availability.

Cons:

Much more expensive than other online options due to the high quality of live lessons with professionals

#7 Trala

Trala’s self-stated mission is “to make music education accessible to every single person on earth”. Their online platform is specifically designed for busy adults who don’t have any help to learn an instrument. Designed by professional musicians and endorsed by Joshua Bell, their interactive platform connects students to teachers around the globe. They also advertise themselves as the first major method to prioritize adults.
There are many video lesson platforms, but Trala also boasts advanced online feedback technology. When you practice with the app, it immediately sends back a score on your pitch and tempo, as well as suggestions for how to improve. This is incredibly helpful for beginners who struggle to analyze their mistakes without their teacher. There is also extra video content to watch between lessons.
If you’re interested in a method that has helped 400,000 students around the world, Trala may be a good place to start.

Pricing:

$160/$280: Weekly private lessons (30 minutes or an hour)

$80/$140: Bi-weekly private lessons

$40/$70: Monthly private lessons

Pros:

Geared toward adult beginners with busy schedules, advanced feedback technology, extra video content.

Cons:

App can’t give you advice on techniques or how to improve tone quality, doesn’t let you skip songs so that you have to do everything in order.

#8 StringPedagogy

Stringpedagogy.com is a fantastic free website put together by professors at Indiana University, led by Mimi Zweig who taught Joshua Bell when he was little. Its purpose is to show teachers how to help their young students progress in the most logical way, without skipping anything. However, the explanations and videos are so detailed that older students can learn a lot from using it themselves. It places a special emphasis on proper set-up and relaxed playing. Another unique feature is the “Pre-twinkle” sequence. This is a highly detailed series of little songs and exercises that give a firm foundation in rhythms and fingerings before even starting the first Suzuki book. There are specific instructions for every piece in Suzuki books 1 and 2, videos of sample lessons, technique building exercises, and a graded list of repertoire at the end. Although it is not interactive like some other sites, it is an absolute goldmine of knowledge that can change your playing.

Pricing:

StringPedagogy is a completely free resource.

Pros:

Complete Pre-Twinkle set-up plan, thorough walk-through of how to teach all the pieces in the first two Suzuki books, teaching demo videos, graded repertoire list, articles on pedagogy for difficult techniques such as shifting and vibrato.

Cons:

Rather outdated website, not interactive, designed for teachers, lessons on each Suzuki piece can be repetitive (but then again that’s the point)

#9 Daniel Kurganov

Daniel Kurganov is a professional violinist who also reaches out to online audiences. Born in Belarus and raised in Chicago, he studied in Zurich and has released world-premier recordings of living composers. His YouTube channel has over 45,000 subscribers, and he shares deep dives into particular techniques that are challenging for most people. Through his website he also offers online video lessons. He offers either live video lessons, or a system where you can send in a recording and get feedback. I recommend watching his content to learn things from a creative musician who has studied the synthesis of different styles.

Pricing:

Free: Youtube channel
$35: Send a recording to receive feedback
$70: 25-minute live video lesson
$140: Full video lessons or orchestra audition training

Pros:

Creative, multifaceted advice from a top violinist who is trained in multiple areas, and ability to receive feedback.

Cons:

Much of this wonderful advice is geared towards advanced players and is not necessarily applicable to the early stages of playing. However, the advice on practicing is helpful for everyone.

#10 Itzhak Perlman Masterclass

Masterclass is a sight where world-famous artists offer their advice for success through a series of videos. One of these is by Itzhak Perlman. He gives insightful details on everything from bowing to vibrato and memorization techniques to building a career. At just $10/month, it is a wonderful supplement for serious students who want to refresh their practice with new ideas from a legend.

Pricing:

Starting at $10/month (billed annually) for all classes and sessions.

Pros:

Affordable way to learn time-saving tips and incredible stories from a legend. Highly produced videos, structured sequential format.

Cons:

Non-interactive, not an effective choice for those picking up an instrument for the first time.

#11 Violinspiration

This is another website dedicated to adult beginners. Some resources are free while others you pay to unlock. Violinspiration is accompanied by a large YouTube channel full of tutorial videos. The well-organized website includes a violin academy link, a blog, sheet music, videos, and a shop. First-time violinists will find plenty of things on this site to help stay motivated and progressing. Those who want to commit more fully can join the online academy that provides workbooks, practice plans, sheet music, feedback, and live online group classes.

Pricing:

Free: Video lessons on Youtube, some free sheet music, blog, free 3-day bootcamp
$30 (special price): Beginner bootcamp
$65/month: Julia’s Violin Academy membership, with courses, feedback, community, and group classes

Pros:

Geared toward adults, focuses on community, lots of free or affordable resources, professional feedback.

Cons:

Only for beginners, does not have different levels of membership depending on your needs.

#12 Natesviolin

Nathan Cole is an incredible violinist and teacher who is currently First Associate Concertmaster for the Los Angeles Philharmonic, and on faculty for the Colburn Conservatory. His Youtube channel and website are all about revealing the “method behind the mastery”. His gentle, patient personality, sense of humor, and amazing technique make these videos not only informative but enjoyable. He covers a variety of topics including audition prep, bow strokes, vibrato, and tips on specific well-known repertoire. He also has a few online courses, a blog, and a podcast called “Stand Partners for Life” with his wife and fellow violinist Akiko Tarumoto.

Pricing:

Free: Youtube channel, blog, podcast, free download “8 biggest practice mistakes”
$27: Scales: The Road to Repertoire course

Pros:

Detailed, enjoyable videos pinpointing exactly what people tend to struggle with from someone who has been through it all.

Cons:

Non-interactive, high level of technical detail meant mostly for advanced violinists (which isn’t to say beginners won’t enjoy it)

#13 iClassical Academy

iClassical Academy is a community of professional music educators and performers who have collaborated on an extensive collection of recorded masterclasses and courses for multiple instruments and even conducting. The teachers are distinguished music professors from all over the world. In the violin section, you will find masterclasses on much of the most challenging violin repertoire including Tchaikovsky’s concerto, Bach sonatas, and Paganini caprices. If you are learning these pieces for the first time, these videos won’t replace a teacher but will help you practice and incorporate fresh ideas. There are also courses on the music industry to give musicians a well-rounded, up-to-date education.

Pricing:

Use the coupon VIOLINLOUNGE20 for 20% off your subscription.

Free: YouTube channel, limited free video library
$24/month, $224/year, $874/lifetime: Unlimited video access

Pros:

Because it is a masterclass setting, you can see another student trying out the ideas in front of you, which is more helpful than just hearing a teacher talk. The wide variety of professors gives you many different musical ideas.

Cons:

All the pieces on this site are very advanced, so it is not a good choice for less experienced players. Also, it is just videos and there is no sheet music, store, or direct feedback.

#14 The Online Violin Tutor

With 650,000 subscribers, this is the biggest YouTube channel for the violin. Alison Sparrow has tons of great free resources on her channel including a sequence of beginner lessons, song tutorials, and lots of fun and informative videos discussing things beginner violinists are often concerned about. If you wish to dive deeper than the ten free lessons, she has two additional books of lessons you can purchase. Aside from her YouTube channel she also has a members-only website and an extensive online music shop where you can purchase her technique and method books.

Pricing:

Free: Extensive YouTube channel filled with tutorials, lessons, and beginner violin course

$10/month: Access to 800 pieces of sheet music, 189 violin cover recordings, 66 violin backing tracks, 112 sheets of piano music, free book from Alison’s shop for every 3 months of membershipamsmusicshop.com is where you can find all of Alison’s music books including her multi-level violin and piano courses.

Pros:

The first level of the violin course is completely free, the YouTube channel includes great info on getting started in violin and practicing, the membership provides lots of sheet music for a low price, the music store is extensive.

Cons:

Geared only towards beginner and intermediate, no live video lessons.

#15 Violin Lab

Violin Lab is a long-standing and very detailed pedagogical resource for players at multiple levels. The creator, Beth Blackerby, said she felt inspired by her adult violin students but also sensed that they felt “disenfranchised” since most students are children. She wanted t create a comprehensive online course for adults that would provide the feedback, resources, and community they needed to support their enthusiasm. Beth’s program is divided into three levels, and each level is incredibly detailed. It is not just a quick introductory course, rather it is designed to guide you through years of progress.
Each lesson is divided into several sections: left hand technique, right hand technique, tone and intonation, repertoire, and etudes and exercises. During each lesson, you can write notes to automatically put in your online practice journal to help your practice stay organized and productive. There is also a video exchange section where you can send your playing straight to Beth and she will send you a video back with advice. Sheet music comes with every lessons, so you don’t have to worry about buying books. This is probably the most thorough online violin course out there for complete noobies, so definitely check it out!

Pricing:

Free 14-day trial
$49 one-time purchase: Complete practice course guiding you through how to make the most of every minute of playing
$35/month: Basic membership includes access to video lessons, sheet music, play-alongs, and practice plan maker, as well as curating your own resources
$45/month: Basic plan plus monthly video exchange lesson
$75/month: Basic plan plus weekly video exchange lessons

The website also mentions providing lower rates for those with financial hardships. Additionally, the monthly price becomes lower each extra year you are signed up.

Pros:

Extremely thorough, tons of content, video exchange, closely mirror the structure of traditional lessons, pricing options available.

Cons:

No live lessons, more expensive than websites that offer shorter beginner courses.

#16 Tonic App

Violinist Ray Chen started creating the Tonic app during covid when he realized that he wanted to create his own classical music community. He knew how lonely practicing can be, especially without the motivation of concerts, so he thought it would be amazing to create a place where people could stay accountable and inspired when practicing. The main feature of the app is that you create a “practice studio” (with a little avatar of you), and put in what you’re working on that day. Other members can drop by to literally hear you play and leave encouraging comments. The app tracks your practice time on your dashboard and leaderboard, and you can set daily goals. As a fun gamification, the more you practice the more clothing items you unlock for your avatar to wear. There are several group chats where members can share about their favorite musical topics.

Pricing:

The app is free with in-app purchases.

Pros:

Stay accountable in practice, track daily hours, meet other musicians online, support each other with real feedback.

Cons:

Only a practice tool, not a lesson website. It may not be a good choice for those who are cell-phone addicted or easily distracted while practicing.

#17 Violin Lounge

Well… I couldn’t help mentioning this one! I can’t say Violin Lounge an online blog, Youtube channel and teaching platform run by a professional violinist (yours truly) who wants to help absolutely everyone improve their violin skills, specifically through sharing bowing techniques. The Youtube channel features 1,000+ videos on technique, repertoire, and fun vlogs. The website includes all kinds of courses with awesome guest teachers as well as lots more articles like this one! Violinists of all ages can find inspiration, get questions answered, and obtain direct help from a professional violinist. (forgive my bias)

Pricing:

Violin Lounge offers free resources and paid lifetime access online courses.

Free: Youtube channel, blog (i.e. where you are now), free beginner violin course
$ 111: Violin Bowing Bootcamp self study course about bowing technique
$1,777: Full Bow Like A Pro course, including 400+ video lessons, video exchange feedback, practice plans, sheet music, and lifetime access
$1,222: Paganini’s Secret violin course, guiding you from a G major scale to Paganini’s 24th caprice without selling your soul to the devil. Includes video exchange feedback.
More in the shop right here!

Hi! I'm Zlata

Classical violinist helping you overcome technical struggles and play with feeling by improving your bow technique.

Pros:

Lots of free resources and tips, rare but essential focus on right hand (bowing) technique, courses led by multiple teachers, lifetime access to courses and videos.

Cons:

No live lesson option, no monthly subscription option.

No matter how long you have been playing the violin, you will find something among these resources to help and inspire you. 

I’ve tried to give an as accurate possible picture of the online violin lessons, courses, websites and apps out there. If you noticed a mistake or you would like your platform featured, please e-mail us.

How do you take online violin lessons?

If you have used any of them yourself and have additional thoughts, please leave them in the comments for others to learn from!

Top 24 Violin Composers in the Baroque, Classical, Romantic and Modern Period

Listen to the most beautiful violin music from the 24 greatest violin composers of all times

Explore the baroque, classical, romantic and modern period with some beautiful listen tips of the 24 greatest violin composers and learn what’s so special about them. I’ve got three violin pieces per composer for you, so sit back and enjoy!

Tech notice: If you’re viewing this page on mobile, please note that it might have difficulty loading because of all the embedded videos with music examples. This page performs better on desktop.

6 Greatest Violin Composers in the Baroque Period

Johann Sebastian Bach (1685-1750)

Bach’s six Sonatas and Partitas for Solo Violin are some of the most important pieces in the violin repertoire and played by every major soloist. Although he is most famous for his sacred music, he wrote these while working for the prince of Köthen who anted only secular works.

Violin music by Johann Sebastian Bach:

Chaconne from Partita no 2

E Major Preludio from Partita no 3

Concerto for Two Violins

Download free violin composer flash cards

24 printable PDF flash cards

Georg Friedrich Handel (1685-1759)

Handel’s violin sonatas are beautiful examples of the Baroque style, both regal and playful. Born in Germany, he spent most of his life in England working for King George I and King George II, and became famous for his operas.

Violin music by Georg Friedrich Handel:

Violin Sonata in D Major

Violin Sonata in A Major

Arrival of the Queen of Sheba

Georg Philipp Telemann (1681-1767)

Like Bach, Telemann also wrote a collection of works for solo violin, as well as several concertos for four violins. He was the most popular and prolific composer of his day, with over 3,000 finished works.

Violin music by Georg Philipp Telemann:

Concerto for Four Violins in G Major

Viola Concerto in G Major

12 Fantasias for Solo Violin

Arcangelo Corelli (1653-1713)

Corelli’s violin sonatas and concerti grossi became famous throughout Europe, known for their rich textures and creative harmonies. His music also helped establish the preeminence of the violin.

Violin music by Arcangelo Corelli:

La Folia

12 Violin Sonatas

Christmas Concerto

Antonio Vivaldi (1678-1741)

No composer had more impact on the early development of the violin concerto. Vivaldi wrote 230, most notably the beloved Four Seasons. Most of these he wrote for L’Ospedale della Pietà, a convent and orphanage that also boasted one of the most celebrated orchestras in Europe.

Violin music by Antonio Vivaldi:

The Four Seasons

Violin Concerto G Minor

Concerto for Four Violins in B Minor

Giuseppe Tartini (1692-1770)

Tartini is remembered for the violin sonata he wrote after purportedly having a dream where he saw the devil playing the violin. While that is his most famous work, he also wrote 135 violin concertos.

Violin music by Giuseppe Tartini:

“Devil’s Trill” Sonata

Violin Sonata in D Major

Violin Concerto in E Minor

6 Greatest Violin Composers in the Classical Period

Joseph Haydn (1732-1809)

Haydn wrote three violin concertos that are treasured by both students and professionals for their beauty and technical challenges. In addition to his concertos and numerous string quartets, he is often called “the father of the symphony” because he wrote one hundred and six of them.

Violin music by Joseph Hayden:

Violin Concerto No. 1 in C Major

“Emperor” Quartet

“Surprise” Symphony

Wolfgang Amadeus Mozart (1756-1791)

Mozart wrote five violin concertos in three years, and the later three are the most celebrated examples of the mid-classical violin concerto. The first movement of his work for string quartet Eine Kleine Nachtmusik is among the most recognized classical melodies.

Violin music by Wolfgang Amadeus Mozart:

Violin Concerto No. 5 in A Major

Eine Kleine Nachtmusik

Symphony No. 29

Ludwig van Beethoven (1770-1827)

Although primarily known for his piano and symphonic works, Beethoven’s violin concerto is one of the longest and most challenging in the repertoire. The first performance was unsuccessful, and the concerto did not become popular until long after Beethoven’s death.

Violin music by Ludwig van Beethoven:

Violin Concerto in D Major

Romance in F Major

Violin Sonata No. 5 in F Major ‘Spring’

Rodolphe Kreutzer (1766-1831)

A professor at the Conservatoire de Paris and considered a founding father of the French violin school, Kreutzer essential work 42 Etudes is often called “the violin bible.” Kreutzer also wrote nineteen violin concertos.

Violin music by Rodolphe Kreutzer:

Etude No. 42

Violin Concerto No. 13

Etude No. 2

Felix Mendelssohn (1809-1847)

Mendelssohn wrote two violin concertos, one for string orchestra and one for classical symphony. Violin Concerto in E Minor bridges the classical and romantic eras and is regularly ranked in the top five violin concertos ever written.

Violin music by Felix Mendelssohn:

Violin Concerto in E Minor

Violin Concerto in D Minor

String Octet

Nicolo Paganini (1782-1840)

Paganini’s infamous 24 Caprices, not to mention his six violin concertos, push the limits of players’ physical capabilities. Audiences were so shocked by his antics that there were rumors he had made a deal with the devil. He probably just practiced a lot.

Violin music by Nicolo Paganini:

Violin Concerto No. 1

Caprice No. 5

Caprice No. 24

Download free violin composer flash cards

24 printable PDF flash cards

6 Greatest Violin Composers in the Romantic Period

Johannes Brahms (1833-1897)

Brahms’ intense concerto, his three violin sonatas, and other solo pieces are dream-repertoire for any very serious student. If you want to delve a little deeper, check out his double concerto for violin and cello.

Violin music by Johannes Brahms:

Violin Concerto in D Major

Violin Sonata No. 3

String Quartet No. 1

Henryk Wieniawski (1835-1880)

 Little-known outside the violin world, Wieniawski spent his short but eventful life writing dramatic concertos, solo pieces, and caprices that rival Paganini’s. He traveled all over the world concertizing and composing until he died of a heart attack at age forty-four.

Violin music by Henryk Wieniawski:

Concerto No. 2

Etude-Caprice No. 4

Scherzo Tarantelle

Pyotr Ilyich Tchaikovsky (1840-1893)

Tchaikovsky’s violin concerto, written while trying to escape depression, is a testament to the resilience of the human spirit. He is best known for his symphonic works and his numerous ballets including Swan Lake, Sleeping Beauty, and The Nutcracker.

Violin music by Pyotr Ilyich Tchaikovsky:

Violin Concerto in D Major

String Quartet No. 1

Serenade for Strings

Max Bruch (1838-1920)

A young but talented German composer achieved international fame through just one piece: Violin Concerto in G Minor. Jealous composers scoffed at him for the enormous success of this piece, and even Bruch was reportedly angry that it eclipsed all his other work.

Violin music by Max Bruch:

Violin Concerto No. 1

Scottish Fantasy

String Quintet in E-flat Major

Pablo de Sarasate (1844-1908)

This Spanish-born violinist and composer toured the world to bring the flavor and exuberance of his homeland to other cultures through his music. Notable composers such as Lalo, Bizet, and Saint-Saëns dedicated pieces to Sarasate.

Violin music by Pablo de Sarasate:

Zigeunerweisen

Romanza Andaluza

Zapateado

Edouard Lalo (1823-1892)

Ironically, this French composer is best-known for his Spanish-sounding violin concerto, which also happens to be the piece that inspired Tchaikovsky to write his own famous violin concerto. He had an extensive number of other works including three operas.

Violin music by Edouard Lalo:

Symphonie Espagnole

String Quartet in E-flat Major

Piano Trio No. 1

6 Greatest Violin Composers in the Modern Period

Eugene Ysaÿe (1858-1931)

A giant of the classical world both figuratively and literally, Ysaÿe brings modern harmonies and effects to his virtuosic compositions. His sonatas for solo violin are even more difficult than earlier ones by Paganini and Wieniawski.

Violin music by Eugene Ysaÿe:

Sonata no. 3 ‘Ballade’

Sonata for Two Violins in A Minor

Snow of Yesteryear

Edward Elgar (1857-1934)

 Elgar’s violin concerto is his longest orchestral work, and incredibly difficult. He declared himself that he loved its strong emotional style. Elgar’s most beloved works include The Dream of Gerontius and Enigma Variations.

Violin music by Edward Elgar:

Violin Concerto in B Minor

Salut d’Amour

String Quartet in E Minor

Fritz Kreisler (1875-1962)

This Viennese-turned-American violinist was a household name at the turn of the century due to his live concerts and his recordings. His show pieces are common encores on concerts and recitals. Kreisler had a distinct sound known for its sweet tone and expressive phrasing.

Violin music by Fritz Kreisler:

Tambourin Chinois

3 Old Viennese Dances

Praeludium und Allegro

Sergei Prokofiev (1891-1953)

Prokofiev, a major Soviet composer, is known mainly as a pianist, but his violin concerto and sonatas are incredibly important to the repertoire for their originality and unusual beauty.

Violin music by Sergei Prokofiev:

Violin Concerto No. 1

Violin Sonata No. 2

Peter and the Wolf

Dmitri Shostakovich (1906-1975)

Shostakovich spent his conflicted composing career writing in two styles: a straight-forward one to satisfy the Soviets, and an inventive, ground-breaking one to satisfy himself. The violin concerto is one of the latter, which is why it was not performed until after Stalin’s death.

Violin music by Dmitri Shostakovich:

Violin Concerto

5 Pieces for Two Violins

String Quartet No. 8

Samuel Barber (1910-1981)

One of the quintessential composers of the American style, Barber’s lush, nostalgic compositions include a violin concerto, his famous string quartet, and a rarely heard unfinished violin sonata. Many of his vocal songs have also been transcribed for violin.

Violin music by Samuel Barber:

Violin Concerto

String Quartet Op. 11

Sonata (Unfinished)

Hi! I'm Zlata

Classical violinist helping you overcome technical struggles and play with feeling by improving your bow technique.

I’ll admit I’ve ignored so many great composers and beautiful pieces

The challenge of writing an article like this is not to find good pieces, but to select which pieces NOT to include. There’s so much beautiful violin music! 

If you’re comfortable listening, also explore this:

31 Violin concertos ranked by difficulty level

30 Most famous violinists of past and present

22 Most romantic violin solos

Who do you think is the greatest violin composer of all times?

Share your favorite violin music in the comments!

The ‘Big Five’ Violin Concertos: what makes them so famous?

Everyone has their own favorites, but these big five romantic violin concertos are most played and listened to over the world

Why are these five violin concertos so special?

Over the past four hundred years, dozens if not hundreds of violin concertos have been written. Some have been forgotten, their manuscripts lost or destroyed. Others are never played because they are by obscure composers, are difficult to find, or are not considered “flashy” enough. Even so, there are still plenty of options to choose from. Everyone has their own favorites, but certain pieces always float to the top of the pile no matter what. In this article, we’ll talk about the five most famous romantic violin concertos.

 

#1 Bruch’s Violin Concerto No. 1 in G Minor

This concerto has long been a favorite among audiences. In fact, Bruch was envied and insulted by fellow composers during his life because of this work’s popularity. His detractors were ultimately ignored, however, as it still remains a concert hall staple and mandatory repertoire for serious students.

Max Bruch was a German composer who began composing when he was nine. His parents encouraged his talent, helping him to find teachers. Bruch started his first violin concerto when he was twenty-six, but completely rescinded the original version to rework it. With the help of the great violinist Joseph Joachim, he eventually created the masterpiece that we know today.

The concerto is in three movements, but the first movement segues directly into the second. This concerto is challenging but still doable for most advanced students, often being one of the first major concertos they learn.

After the concerto’s debut in 1868, all the great violinists began playing it, so much so that it eclipsed essentially all of Bruch’s other compositions. He did not appreciate that very much, and other composers became very jealous of his success. To make it worse, he had completely sold the concerto to his publisher, so he did not make money from it himself.

Click here to download the free violin sheet music.

#2 Mendelssohn’s Violin Concerto in E Minor

Classical music lovers can debate endlessly about what the five greatest violin concertos are, but you can be sure Mendelssohn’s will be on the list. Written in 1844, it incorporates the best of both traditional classical styles and Mendelssohn’s budding romanticism. And in case you were wondering, Mendelssohn also wrote a little-known Violin Concerto in D Minor earlier that is also worth a listen.

Mendelssohn wrote the concerto for his friend Ferdinand David, who was concertmaster of the Leipzig Gewandhaus Orchestra. Over the next several years, David gave Mendelssohn many suggestions and premiered it in 1845.

Contrary to the classical style of the time where the orchestra would state the main themes, the violin solo begins almost immediately The movements lead directly into one another without any pauses, which is also unusual. It is considered one of the earliest Romantic violin concertos, and still uses a standard classical orchestra of strings, two flutes, two oboes, two clarinets, two bassoons, two horns, two trumpets, and timpani. It is perhaps fitting that Mendelssohn’s most famous concerto is the last one he ever wrote.

Click here to download the free violin sheet music.

#3 Beethoven’s Violin Concerto in D Major

Clocking in at a cool 45 minutes long, the Beethoven Concerto is considered one of the most challenging in the repertoire, and a major accomplishment for anyone who learns it. The orchestra plays an intro lasting over two minutes, which gives the soloist plenty of time to stand there in front of the audience wondering if his or her entrance will sound good.

After writing two beautiful Romances for violin and orchestra, Beethoven completed his one and only violin concerto in 1806. Its premier was not successful, and it did not become popular until a young Joseph Joachim brought it back to life decades later. (Interestingly, Mendelssohn was the conductor for that performance.)

Beethoven’s concerto is greatly influenced by the French style of the time. It is exceptionally long, and the third movement is particularly difficult to memorize because it is in rondo form. A rondo is when the main theme alternates with different contrasting themes, which can get very confusing. There are very few rests for the soloist. The instrumentation is the same as that of the Mendelssohn concerto.

Now that it is considered one of the top violin concertos, dozens of soloists have written their own cadenzas for the piece, including Joshua Bell, Fritz Kreisler, Nathan Milstein, and Maxim Vengerov.

Click here to download the free violin sheet music.

#4 Brahms’ Violin Concerto in D Major

Like the Beethoven Concerto, the opening of this piece sounds as though Brahms started writing a symphony and then suddenly remembered he was supposed to be writing a violin concerto. When the soloist finally does come in, he does it in style with some fiery runs and perfectly tuned double-stops (playing more than one string at once). It may not be as melodic or violin-centered as Beethoven’s but the sheer amount of energy in the work is breathtaking.

As you can probably tell by now, Joseph Joachim was the towering violinist of his day. He was so respected by his colleagues that several—including Schumann, Dvorak, Bruch, and Brahms—wrote concertos for him, although he never played the ones by Schumann and Dvorak. Joachim actively helped Brahms develop his concerto, premiering it in 1879.

Incredibly grand and rich, this concerto weaves together elements from Joachim’s Hungarian roots. One unusual thing is the gorgeous two-minute oboe solo in the second movement. Pablo de Sarasate was so offended by it that he wouldn’t play the concerto, but Joachim welcomed it as a complement to the tone of the violin.

Click here to download the free violin sheet music.

#5 Tchaikovsky’s Violin Concerto in D Major

Okay, I know you’re wondering at this point why so many violin concertos are in the key of D, but maybe that’s a subject for another article. Tchaikovsky wrote this concerto while trying to recover from depression, and it is heart-on-your-sleeve, alternating between deep reflection and unrestrained joy.

Tchaikovsky wrote the concerto while recovering from depression at a villa on Lake Geneva. He was deeply inspired by Lalo’s Symphonie Espagnole, as Spanish influence was very big at the time. He became so excited by his new idea that he wrote the whole thing in a month. He completely rewrote the middle movement, and the original movement he later used for Souvenir d’un Lieu Cher.

Tchaikovsky wanted Leopold Auer to premier the piece, but he refused. According to Auer, certain passages needed to be rewritten in order to be both more beautiful and more playable. A hurt Tchaikovsky instead gave the concerto to another violinist to premier. Auer later edited the concerto so he and his students could perform it. He ultimately regretted not taking Tchaikovsky’s initial offer and asked his forgiveness.

Click here to download the free violin sheet music.

These are the five most famous romantic concertos, in no particular order. Would you change anything or add one to the list? Let me know in the comments!

Top 23 Violin and Piano Duets

Discover the most beautiful pieces for violin and piano duo

There are four basic categories of violin repertoire: unaccompanied violin, solo violin with orchestra, chamber music, and violin with piano. Most people who are not Felix Mendelssohn do not have a private orchestra at their disposal, and while you should try to put together a chamber group, it can take time to find the right people. Thus, it’s no surprise that most violin performances are done with piano.

There’s TONS of music out there for violin and piano, whether original compositions, transcriptions, or simplified arrangements. They range from exquisite to desperately boring. To save you some time, I’ve sorted out the desperately boring ones and chosen some of the best duets, easiest to hardest, for violin and piano. All this is classical music, but read to the end for some fun bonus suggestions.

Disclaimer: I wanted this to be a list of original compositions as much as possible, not transcriptions arrangements. This means I didn’t include any violin concertos with piano reductions, but only pieces that were originally meant to be violin and piano duets. I did include some volumes of arranged pieces for the easier levels.

#1 Solo Pieces for Beginning Violinists (arr. Craig Duncan)

This book contains sixteen short and very easy arrangements of popular pieces, both classical and fiddle tunes. There are staccato markings and slurs, but the rhythms are simple, and everything stays in first position. Because the tunes are very familiar, they are easy to learn, a fast addition to a student’s first recital.

Buy Duncan Solo Pieces for Beginning Violinist

#2 Betty Barlow Fiddle Tunes for the Violinist

Every beginner violinist should have this book on hand when they need a break from their main repertoire but still want to play something that will challenge them. Barlow presents dozens of catchy, energetic tunes, but each one also has technical challenges. These tunes are so fun to play that even advanced students enjoy reviewing them! A wonderful introduction to the incredible world of fiddle music.

Buy Barlow, Betty – Fiddle Tunes For The Violinist with Piano Accompaniment – Amsco Edition

#3 Classical Violin Music by Black Composers Vol. 1 (arr. Rachel Barton Pine)

American virtuoso Rachel Barton Pine loves finding music by little-known composers and making it available to musicians of all levels. In this volume, she presents 22 pieces arranged for beginners. If you’re curious about exploring music that is not included in Suzuki books, I recommend checking out collections like these.

Buy Classical Violin Music by Black Composers

#4 Six Very Easy Pieces by Edward Elgar

Easy beginner pieces by one of the 20th century’s greatest composers? Sign me up! It’s exciting when beginners are able to play pieces actually written for them by great composers, not just simplified arrangements. Coming from a composer who wrote some of the most beautiful music of the last one hundred years, you know that these little pieces will be worth the effort.

Click here to download the free sheet music.

#5 Bach/Gounod Ave Maria

This lovely piece could be described as a collaboration 100 years in the making. How could J.S. Bach (1685-1750) and Charles Gounod (pronounced goo-no, 1818-1893) have written a piece together?
In 1722, Bach composed The Well-Tempered Klavier. Prelude and Fugue in C Major is the first work in the second volume, and one of the most famous. The Prelude is simply a gentle broken chordal pattern that ebbs and flows through many chord changes and dynamics.
Over 100 years later, the French composer Charles Gounod improvised a romantic melody of Bach’s baroque chord study. His future father-in-law transcribed the inspired improvisation and published it in 1853. It has since become one of the most widely played Ave Maria settings.

Click here to download the free sheet music.

#6 Serenata by Enrico Toselli

This sweet, short, but little-known piece is wonderful for intermediate students who want to delve into Romantic works. It does contain shifting and quite a few high notes, but the tempo is not fast and the theme repeats so there is not that much music to learn.

Click here to download the free sheet music.

#7 Schubert’s Sonatina in D Major

In classical music, sonatas are the highest form of duet because the violin and piano parts are so equal. If you do not feel ready to take on a whole sonata, why not try the mini version? I love this beautiful recording of Pinchas Zukerman playing Schubert’s Sonatina in D Major. It is not difficult like most Romantic sonatas but has beautiful melodies and charming interplay between violin and piano. If you’re interested in learning Beethoven or Mozart sonatas eventually, use this to learn the special collaboration skills needed for sonatas.

Click here to download the free sheet music.

#8 Adoration by Felix Borowski

This piece embodies glorious hope in the face of tremendous pain and loss. Felix Borowski is not well-known in most circles. Born in England in 1872 of Polish descent, he later moved to Chicago where he became director of the Chicago Musical College and program annotator for the Chicago Symphony. He wrote three symphonies and three major organ sonatas, but Adoration is definitely his best-known work for violin.

Click here to download the free sheet music.

#9 Elgar’s Salut d’Amour

In 1888, Elgar became engaged to his future wife Caroline. As a gift she sent him a poem she had written and titled “Love’s Grace”. Inspired by his love and his art, Elgar set it to music with the german title “Liebesgruss”. The love token gained him some material wealth as well when he entered it in a composing competition and won 5£ (about 2,600£ in today’s money). His publishers insisted that it would sell better if it had a French title, so he got it published as “Salur d’Amour”.

Click here to download the free sheet music.

#10 Kreisler’s Three Viennese Waltzes

The three pieces are Liebesfreud (Love’s Joy), Liebeslied (Love’s Sorrow) and Schön Rosmarin (Lovely Rosemary). All three exhibit Kreisler’s characteristic trademarks of rubato and portamento. In order of least to most difficult, Liebeslied is the best piece to start with. It contains no doublestops, has a slow waltz tempo, and does not go past fourth position. Lovely Rosemary is not terribly fast, but does have several upbow staccato passages. It is a wonderful short piece for practicing this technique. Liebesfreud is the most difficult due to the faster tempo and consecutive thirds in the opening.

Click here to download the free sheet music.

#11 Boulanger’s Deux Morceaux

Composed in 1911 by an 18-year-old Lili Boulanger, this hidden gem is starting to be more widely appreciated. It exhibits very strong influences from French impressionists like Claude Debussy (see if you can catch a moment in the piano that sounds exactly like Afternoon of a Fawn). This piece is not tragic, but it is definitely nostalgic. It is perhaps foreshadowing also, when you learn that Lili died only six years later.

Click here to download the free sheet music.

#12 Kreisler’s Sicilienne and Rigaudon

Kreisler packs a big punch with this little fireball. The lilting, nostalgic sicilienne gives way to two pages of sixteenth-note runs and fiddle-like string crossings. It also incorporates some fun left hand pizzicato. Fortunately, it doesn’t go above third position, making it a great intermediate showpiece.

Click here to download the free sheet music.

#13 Vitali’s Chaconne

A chaconne is basically variations on a theme. It is attributed to Antonio Vitali, although some speculate that it was written later by someone else. Regardless, the solo part was altered by Leopold Charlier in the 20th century to make it more virtuosic. The violin spins into more and more complex renditions of the main theme, each expressing a deep sense of longing.

Click here to download the free sheet music.

#14 Kreisler’s Preludium and Allegro

Kreisler is best-known for his delightful encore pieces. He is also known for writing pieces “in the style” of other composers and affirming that they were the ones who had actually written them. Preludium and Allegro is an example of this. He said it was composed by Pugnani, and musicologists actually started talking about the piece under Pugnani’s name. They became very upset when they realized Kreisler had pulled one over on them!

Click here to download the free sheet music.

#15 Mozart’s Violin Sonata in G Major K. 301

It is so hard to pick just one Mozart sonata to list because he wrote thirty-six of them! Each is special in its own way, but K. 301 is very popular. All three movements are gentle and playful, which is wonderfully conveyed by Hilary Hahn in this recording.

Click here to download the free sheet music.

#16 Franck’s Violin Sonata in A Major

Belgian composer Cesar Franck composed this in 1886 as a wedding present for the young violin virtuoso Eugene Ysaye. Franck was not at the wedding, but a friend of his presented the piece to Ysaye the morning of. After one quick rehearsal with his new sister-in-law, Ysaye performed the piece for his guests, and kept it in his repertoire for the next forty years.

Click here to download the free sheet music.

#17 Beethoven’s Violin Sonata No. 5 in F Major

This work is better known as the “Spring” sonata, a nickname given it by Beethoven’s publishers thanks to its bright, refreshing character. This is only one of ten violin sonatas Beethoven wrote. The other two most famous ones are the “Kreutzer” sonata and Sonata No. 8 in G Major.

Click here to download the free sheet music.

#18 Saint-Saëns Introduction and Rondo Capriccioso

Saint-Saens dedicated this work to Pablo de Sarasate. It has a distinct Spanish flavor; you can almost see the bullfighters strutting in during the main theme. Incredibly dramatic and evocative, it is a favorite among advanced students and major soloists. The recording below is performed by Christian Li, a world-famous soloist who is currently thirteen years old. His performance really brings out the energy and joy in the piece.

Click here to download the free sheet music.

#19 Brahms’ Violin Sonata No. 3 in D Minor

If you don’t feel ready for the intensity of Brahms’s violin concerto, his three violin sonatas are a good way to get a feel for his style. His third sonata is extremely lyrical in the first two movements. In the third movement the pianist gets a chance to shine, and it closes with a virtuosic final movement.

Click here to download the free sheet music.

#20 Sarasate’s Zigeunerweisen

Pablo de Sarasate was one of the most beloved violinists of the early 20th century. Like many violin soloists of that time (including Fritz Kreisler and Henryk Wieniawski) he wrote many of the pieces he performed. “Zigeunerweisen” means “gypsy meadows,” which is exactly what the piece sounds like. If you enjoy this work, you will love diving into the world of Sarasate’s fiery compositions.

Click here to download the free sheet music.

#21 Bazzini’s La Ronde des Lutins

Antonio Ba-who? Almost no-one has ever heard of this Italian composer, even though he was one of the most eminent violinists of the 19th century. Today he is only remembered by the few very advanced violinists who can even play his flashy encore Dance of the Goblins. Even if you’ve never heard of Bazzini, you’ve probably heard of the violinist playing in this recording.

Click here to download the free sheet music.

#22 Suite from “West Side Story” (arr. Raimundo Penaforte)

Three of the most famous tunes from Leonard Bernstein’s beloved score come to life for violin and piano in this arrangement. “I Feel Pretty”, “Somewhere”, and “America” create a suite that is memorable and rhythmically challenging.

Buy Bernstein, Leonard – Suite from “West Side Story” for Violin Piano – arranged by Raimundo Penaforte – Leonard Bernstein Music Publishing Co

#23 The Lord of the Rings Music Book: Violin and Piano

This book has twelve songs from the whole trilogy including “Concerning Hobbits” and “In Dreams.” Some of these pieces were written for violin solo in the original score, while others have been transposed. If you are a Lord of the Rings fan, you and your piano friend will love playing these arrangements.

Buy The Lord of the Rings – Violin and Piano – Book/CD set – Warner Brothers Music

Hi! I'm Zlata

Classical violinist helping you overcome technical struggles and play with feeling by improving your bow technique.

I hope you’ve enjoyed this selection of violin and piano duos!

Of course there’s so much repertoire and so many gorgeous violin and piano sonatas that it’s almost criminal to leave it at these 23, haha!

Would you like to explore more violin pieces?

Check out these 107 student violin concertos and concertinos that can also be played in a violin and piano duo. Click here for the list and free violin sheet music.

Would you like to play violin duos with a fellow violinist? Check out this list of 20 violin duets.

What violin and piano duo do you love to play?

Leave a comment! I’d love to read it.

31 Violin Concertos Ranked by Difficulty Level

Violin concertos ranked from easy to hard:

How hard are the Mendelssohn, Bruch and Paganini violin concertos to play?

Even when you’ve just started to play violin it’s possible to play beginner and after that intermediate violin concertos. Did you know that there are concertos all in first position?

Below I’m rating the most well known violin concertos from easy to hard. We begin with students concertos by Küchler, Rieding and Seitz. Then we continue with the ‘big concertos’ by Mozart, Bruch, Mendelssohn, Beethoven and Brahms. We end with some of the most difficult modern violin concertos.

I’ll go into exactly what makes all these violin concertos so hard or easy to play and what violin technique is needed to play them.

#1 Ferdinand Küchler: Violin Concerto in D Major in the style of Vivaldi (1937)

Length: 6 minutes (3 movements)
Positions: Almost entirely 1st position with a tiny bit of third on E string only
Important techniques: Fast sixteenth note runs with string crossings, staccato vs. detache markings, slurred sixteenths
How to practice: Practice doing string crossings in rhythms (short-long, long-short, etc) practice slurred sixteenths separately to get the notes first
Comments: This charming little concerto is suitable to begin studying after Suzuki Book 3. It contains minimal shifting, so it is a good first step into using third position in pieces. The dynamics, articulation markings, and rhythms are very clear, as the piece basically only uses quarter notes, eighths, and sixteenths. To play the last movement, make sure you understand how to play in ⅜ time, meaning three eighth notes per measure.

Click here to download the free violin sheet music.

#2 Oskar Rieding: Violin Concerto in B Minor (1909)

Length: 8.5 minutes (3 movements)
Positions: 1st position
Important techniques: Full-bow legato, carrot accents, moving second and third finger between high and low positions.
How to practice: Play scales using legato slurs, focus on flat bow hair, bow distribution, and consistent contact point
Comments: The Küchler focuses on staccato, but this concerto is excellent for learning beautiful legato. The middle movement in particular is so sweet and nostalgic, followed by a much more energetic, fiery third movement. Even though it is all in first position, this piece is full of spirit and musicality.

Click here to download the free violin sheet music.

#3 Antonio Vivaldi: Violin Concerto in A Minor RV 356 (pub. 1711)

Length: 8 minutes (3 movements)
Positions: 1st and 3rd
Important techniques: Bariolage (i.e. fast repeated string crossings)
How to practice: Play just the top part of the bariolage to learn the melody. Always do bariolage in the middle of the bow.
Comments: For many students, learning this piece is when they fall in love with the violin. It contains everything that makes baroque music so satisfying to play. Although it contains more shifting than the Küchler as well as some tricky finger patterns, it is still one of Vivaldi’s easier concertos and quite doable for intermediate players.

Click here to download the free violin sheet music.

#4 Friedrich Seitz: Violin Concerto in G Major, Opus 13 (1893)

Length: 9 minutes (3 movements)
Positions: 1st position
Important techniques: Hooked bowing, double stops, staccato sixteenths, trills
How to practice: For the double-stops, play them separately out of tempo. Then play them slowly in martele to check for intonation and relaxed fingers.
Comments: This is the second of eight student violin concertos Seitz wrote. You may recognize the last movement from Suzuki Book 4. Although it is only in first position, I ranked it after the Vivaldi and Küchler concertos because of the extensive double-stop passages and more complex rhythmic figures. It also contains a short cadenza in the first movement. This is a moment for the soloist to be expressive, a short transition between themes. It is not difficult, but it does call for a new kind of freedom and expressivity.

Click here to download the free violin sheet music.

#5 Friedrich Seitz: Violin Concerto in D Major, Opus 15 (1895)

Length: 13 minutes (3 movements)
Positions: 1st-4th positions, plus extended 4th fingers
Important techniques: Sul G, harmonics, double stops, upbow staccato, ricochet
How to Practice: For upbow staccato, the bow stays in firm contact with the string all the way up while the bow hand fingers create impulses. As with the other Seitz concerto, practice double stops slowly and separately first with no vibrato. Ricochet is a new challenge in the feisty third movements of this piece. Ricochet is an off-the-string technique where you drop the bow onto the string and allow it to bounce naturally. Experiment with dropping the bow from different heights to get the desired speed and height of the bounce.
Comments: This Seitz concerto is one of his less famous, but no less beautiful or exciting. It requires more dexterity and bow control than those included in the Suzuki repertoire. Although it presents several new challenges for growing violinists, the beautiful melodies and fun rhythms make the work well worth it.

Click here to download the free violin sheet music.

#6 Antonio Vivaldi: Violin Concerto No. 4 in G Major RV 310 (pub. 1711)

Length: 7 minutes (3 movements)
Positions: 1st position, minimal 3rd
Important techniques: Bariolage, sudden dynamic changes
How to Practice: Use much ess bow for the softer passages and lighten the contact pressure.
Comments: This piece does not present many challenges different from the Baroque concertos already listed, making it a relatively quick addition to your intermediate repertoire. While the notes are not terribly difficult, the main challenge is emphasizing the dynamics which bring the piece to life.

Click here to download the free violin sheet music.

#7 Oskar Rieding: Concertino in A Minor in Hungarian Style (1905)

Length: 7 minutes (1 movements)
Positions: 1st-3rd
Important techniques: Accents, natural harmonics
Comments: Here is another beautiful Rieding concertino, this time with a bold Hungarian flavor. Beyond learning the notes, focus on bringing out the accents and syncopations to really fulfill the piece’s character.

Click here to download the free violin sheet music.

#8 Jean Baptiste Accolay: Violin Concerto in A Minor (1868)

Length: 8 minutes (1 movement)
Positions: 1st-5th
Important techniques: More complex shifts, double stops, off-beat accents, saltato, cross-fingerings (i.e. quickly changing accidentals)
How to Practice: Isolating the shifts is very important for this piece, as well as practicing the slurred sixteenth-note runs in stopped bows and rhythms. Improve the accents by using slightly more bow and pressure on the accent with a little extra vibrato. For the saltato, practice slowly with very loose flexible bow hand fingers. The bounce will come naturally as you increase the tempo.
Comments: A popular bridge between student concertos and mainstream repertoire, the Accolay concerto takes a step into more complex shifting and bowing techniques. It alternates between flowing melodies and technical passages, packing a lot of important techniques and contrasts into just eight minutes.

Click here to download the free violin sheet music.

#9 Joseph Haydn: Violin Concerto No. 4 in G Major (1761)

Length: 17 minutes
Positions: 1st-3rd
Important techniques: Double stops, cadenzas
Comments: This charming baroque concerto is a fan favorite. The opening movement flows like a joyful, babbling brook, leading to a gentle middle movement and a jubilant conclusion. It is a good introduction to the world of Bach, Haydn, and Mozart concertos.

Click here to download the free violin sheet music.

#10 Dmitry Kabalevsky: Violin Concerto in C Major (1948)

Length: 18 minutes (depending how fast you want to play) (3 movements)
Positions: 1st-7th
Important techniques: Rapid string crossings, pizzicato chords, double stops, collé
How to Practice: Many people struggle with how to play pizzicato chords loudly. Here’s a helpful trick: pluck all the strings at once, over the fingerboard, but diagonally leading away from the bridge. This will help the strings resonate better. The fast arpeggios are also difficult—practice slowly in martelé keeping the bow in constant firm contact with the string.
Comments: Kabalevsky was a wonderful Russian composer who dedicated his life to writing actually beautiful, intriguing pieces for children. Although not officially called a student concerto, his violin concerto is often used that way. However, it has such artistic merit that it has also been recorded by artists such as David Oistrakh, Gil Shaham, and Pinchas Zukerman.

Click here to buy the violin sheet music.

#11 W.A. Mozart: Violin Concerto No. 3 G Major (1775)

Length: 25 minutes (3 movements)
Positions: 1st-5th
Important techniques: Requires an advanced understanding of stylistic phrasing
Comments: Any professional violinist will tell you that Mozart concertos are deceptively difficult. The notes of this concerto are manageable, but it requires pristine clarity and stylistic nuances. Even so, Mozart concertos are essential for every violinist’s repertoire, and this concerto is the best place to start.

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#12 Joseph Haydn: Violin Concerto No. 1 in C Major (1760s)

Length: 30 minutes (3 movements)
Positions: 1st-7th
Important techniques: Slurred double stops, complex rhythms, string crossings,spiccato
Comments: This is the fiery older sibling of the G major concerto. It is regularly performed by high-level soloists, and is one of the most famous Baroque violin concertos. The cadenzas build on the techniques included in the piece itself.

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#13 J.S. Bach: Violin Concerto in E Major (year unknown)

Length: 15 minutes (3 movements)
Positions: 1st-5th
Important techniques: Cross fingerings, double-sharps
Comments: You knew that in a list of thirty violin pieces Bach was going to come up eventually. His concertos are often perceived as student concertos but they certainly weren’t intended that way. Only three of his violin concertos survive, and the E Major is a particularly cheerful example. It is not known for certain when he wrote it, but it was probably while he worked for Prince Leopold in Köthen, or else during how later years in Leipzig.

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#14 Giovanni Viotti: Violin Concerto No. 22 in A Minor (1803)

Length: 28 minutes (3 movements)
Positions: 1st-6th
Important Techniques: Trills, double stops, bariolage
Comments: Viotti wrote, get this, 29 violin concertos. Only 22 and 23 are generally performed, but a violinist named Franco Mezzena recently recorded every concerto so they aren’t forgotten. There are certain difficulties, including several cadenzas in the second movement especially. The bariolages are challenging because they cross back and forth from the E string to the G string. It is also excellent practice for thirds. Although it is not among the most famous today, it was Johannes Brahms’s favorite violin concerto.

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#15 W.A. Mozart: Violin Concerto No. 5 in A Major (1775)

Length: 28 minutes (3 movements)
Positions: 1st-9th
Important Techniques: Extended 4th finger, clear dynamic changes, stylistic phrasing
Comments: In all of Mozart’s work, clarity, poise and intentionality are crucial. This beloved concerto is particularly challenging for intonation due to its extended fourth fingers, fast shifts through many positions, and brilliant trills, not mention the cadenzas.

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#16 Antonio Vivaldi: The Four Seasons (1718-1720)

Length: 50 minutes (4 concertos, 3 movements each)
Positions: 1st-6th
Important Techniques: Arpeggiating, double stops, being able to read and play 32nd-note passages
Comments: I ranked this one high on the list mostly because of its length (if you’re playing all four concertos) and because of its incredibly flashy passagework. However, there are several individual movements that are not as difficult. For many players, this is one of the first introductions to reading long passages of thirty-second notes. The secret here: use a metronome!

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#17 Max Bruch: Violin Concerto No. 1 in G Minor (1866-67)

Length: 25 minutes (3 movements)
Positions: 1st-10th
Important Techniques: Chords, thirds, very long runs, cadenzas, trills
Comments: This concerto is so loved that it is performed constantly by students and professionals alike. It is beautifully melodic, making it easier (and perhaps more enjoyable) to learn than some other big concertos, but it still requires a lot of skill. If you are looking for your next step into major violin concertos, Bruch is always an excellent place to go. (Check out also his Scottish Fantasy).

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#18 Camille Saint-Saëns: Violin Concerto No. 3 in B Minor (1880)

Length: 35 minutes (3 movements)
Positions: Basically all of them. Particularly on the E string, yikes!
Important Techniques: Shifting high on the G string, using all positions on the E string, double stops, chromatic passages, false harmonics
Comments: Another concerto not very well-known among non-violinists that deserves to be heard more often. The end of the second movement is both hauntingly beautiful and difficult to execute: It is a series of arpeggios played entirely in false harmonics that must be flawlessly in tune.

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#19 Samuel Barber: Violin Concerto (1939)

Length: 23 minutes (3 movements)
Positions: 1st-12th
Important Techniques: Long legato phrases, chromaticism, spiccato especially in third movement.
Comments: Few pieces ever composed can match the lush gorgeousness of Barber’s violin concerto. He composed the first two movements together and added the third later, which is why it is so different. Students often learn the first movement only because the finale is literally five straight pages of spiccato triplets at break neck speed. The notes are not terribly difficult once you understand the patterns, but it does require many hours of slow, focused practice.

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#20 Edouard Lalo: Symphonie Espagnole (1874)

Length: 23 minutes (5 movements)
Positions: Full range
Important Techniques: Fast legato slurred passages, high positions, jump shifts, harmonics, double stops
Comments: The opening of this concerto is extremely famous, jumping from third to twelfth position in only two octaves. The feisty Spanish flair of this piece brings with it many challenges for both the right and left hands, which must work together to create dramatically articulated passages. Every movement has a slightly different tone and character that must be expressed.

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#21 Henryk Wieniawski: Violin Concerto No. 2 in D Minor (1856?)

Length: 25 minutes (4 movements)
Positions: Full range
Important Techniques: Upbow staccato, spiccato, rapid string crossings
Comments: You’ve probably noticed by now that many of the techniques listed overlap between concertos. (This is why it is soo helpful to practice etudes.) However, this concerto is famous for a very specific reason. The end of the first movement is full of descending upbow staccato scales, a very difficult and impressive technique.

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#22 Felix Mendelssohn: Violin Concerto in E Minor (1838-44)

Length: 33 minutes (3 movements)
Positions: Full range
Important Techniques: Ricochet, octaves, spiccato, thirds
Comments: Another must-learn, the Mendelssohn is usually considered among the four greatest concertos ever written. Like the Mozart it requires constant precision and delicacy. The extensive cadenza in the first movement that melts effortlessly back into the main theme is one of the most beautiful parts of this piece and one of the most difficult.

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#23 Peter Tchaikovsky: Violin Concerto in D Major (1878)

Length: 35 minutes (3 movements)
Positions: At this point in the list, all of them from here on out.
Important Techniques: All the previous challenges mentioned, including fast chromatic runs, jump shifts, many types of chords, and cadenzas
Comments: This emotional concerto takes a huge leap beyond Mozart and Mendelssohn into romanticism. The orchestral accompaniment becomes more intense, the solo line less predictable. However, unlike experimental concertos that came afterwards it still maintains its harmonic and melodic structure while pushing the abilities of the player. As an aside, the second movement is a lovely solo piece alone that is not nearly as difficult as the outer movements.

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#24 Dmitri Shostakovich: Violin Concerto No. 1 (1947-48)

Length: 38 minutes (4 movements)
Positions: Much of it stays in the lower positions but it does utilize the high registers of the E string.
Important Techniques: Spiccato, chords, false harmonics, chromatic finger-sliding (for lack of a better term)
Comments: This unusual concerto may not be everyone’s cup of tea. It is intentionally dissonant and ambiguous, creating a very different mood than Tchaikovsky’s. On the page there appear to be fewer notes than in most major concertos. The unusual intervals and chromatic runs are what make it challenging. This is a great concerto for stretching yourself and breaking out of the strictly classical/romantic norm.

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#25 Jean Sibelius: Violin Concerto in D Minor (1904-05)

Length: 32 minutes (3 movements)
Positions: Full range, including very high on the G string
Important Techniques: Reading complex rhythms, complex chords and shifting, extremely specific technical markings
Comments: Sibelius dreamed of being a concert violinist, and when that didn’t work out he settled for writing an insanely complex violin concerto. In fact, the original version was so difficult that he had to edit it. Additionally, he put in extremely specific markings, both symbols and words, because he wanted everything a certain way. This makes the sheet music look…crowded. Simply deciphering everything on the page is the first step before learning the notes!

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#26 Nicolo Paganini: Violin Concerto No. 1 in D Major (1816)

Length: 36 minutes (3 movements)
Positions: Full range
Important Techniques: Thirds played as spiccato sixteenths (ouch), ricochet, upbow staccato, jump shifts
Comments: Paganini wrote six violin concertos, but this is certainly the most performed. There is an incredible range of emotions: joyful, playful, cute, angry, and flamboyant. Like basically everything else Paganini wrote, it requires incredible dexterity, and the cadenza written by Sauret is one of the hardest cadenzas ever.

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#27 Johannes Brahms: Violin Concerto in D Major (1878)

Length: 40 minutes (3 movements)
Positions: Full range
Important Techniques: Being able to stand there for two minutes listening to the orchestra play and then suddenly be like “Ooh yay, I get to play octaves now!”
Comments: Brahms’ violin concerto is reminiscent of a symphony. Several concertos, such as Sibelius and Mozart No. 5, have a slow, graceful introduction before the main theme. This both creates a beautiful transition and allows the player to briefly warm up his fingers. In Brahms, after two minutes of orchestra introduction, the fireworks start immediately.

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#28 Ludwig van Beethoven: Violin Concerto in D Major (1806)

Length: 46 minutes (3 movements)
Positions: Almost full range
Important Techniques: Octaves, long legato slurred sixteenths, incredible memorization abilities
Comments: The Beethoven is more classical, so it doesn’t look as difficult as the other concertos high on this list. Yet it combines the precision of Mozart with the stamina needed for Brahms. The soloist gets very few breaks. The third movement, which is a rondo where the theme repeats periodically, requires excellent memorization skills so you don’t repeat the same thing too many times!

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#29 Jennifer Higdon: Violin Concerto (2008)

Length: 32 minutes (3 movements)
Positions: All of them. Just all of them.
Important Techniques: False harmonics, difficult double stops, very very fast passage work while doing double stops/ trills, etc.
Comments: Higdon wrote this concerto for Hilary Hahn and it won the Pulitzer Prize for music in 2010. It has three unusually named movements: “1724”, the address of the Curtis Institute of Music where Higdon works, “Chaconni”, and “Flying Forward”. All three movements are very innovative, and the last is an intense showpiece. This concerto is distinctly modern, but still impressive and enjoyable when understood in its context.

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#30 Grażyna Bacewicz: Violin Concerto No. 3 (1948)

Length: 24 minutes (3 movements)
Positions: Please don’t make me think about it.
Important Techniques: Double stops, fast runs, trilled glissandos, cadenzas, weird shifts
Comments: I almost guarantee you’ve never heard of this concerto, and I don’t know anyone personally who’s played it. Bacewicz is one of the only internationally-known Polish women composers. She was also an accomplished violinist so many of her compositions feature violin. This piece is very modern and other-worldly, but doesn’t quite embrace atonalism. I put it this high on the list because of its lack of clear melodic lines make the fast runs and shifting even more difficult to learn and habituate.

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#31 György Ligeti: Violin Concerto (1992)​

Length: 28 minutes (5 movements)
Positions: Just…don’t ask.
Important (or just plain weird) Techniques: Ligeti utilizes the overtone scale using harmonics. Because of this, the concertmaster and principle violist have to retune their violins so that they will be in tune with the natural harmonics.
Comments: I looked around a lot and I literally could not find a concerto harder than this. If you can think of one, please of leave it in the comments! It pushes the extreme limits of the instrument.. Imagine Paganini but in the late twentieth century. There are very unusual sound effects throughout that you would never expect possible in a violin concerto. Even superstar violinist Augustin Hadelich says that the cadenza, written by Thomas Adès, is one of the hardest things he’s ever had to learn.

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Hi! I'm Zlata

Classical violinist helping you overcome technical struggles and play with feeling by improving your bow technique.

There’s my list of 30 violin concertos ranked from easiest to hardest!

I hope you enjoyed listening and learned a lot about what violin concertos there are and what makes them difficult to play (or not).

If you were to add some, where would you put them? Would you change anything about the list, and what do you think is the hardest violin concerto ever? Please let me know in the comments!

If you’re an intermediate or beginner violinist looking for more student concertos then check out my list with 107 easy violin concertos including free violin sheet music downloads right here.