Learn to play the sixth position on the violin with sheet music, finger chart, exercises and music examples

Finding Sixth Position

Sixth position can be difficult to find, because it is in between fifth and seventh which are more common. This means it is slightly higher than the purfling (the edge of the violin body), but slightly lower than the midpoint harmonic, where seventh is.

A good way to find where sixth position should go is to start in third position, put down fourth finger, then shift to where fourth position is.

Finger Chart of Sixth Position

Here is a visual for which notes are in sixth position:

Notes in Sixth Position

The full chromatic range of notes you can play in sixth position is as follows:
G string: F, F#/G♭, G, G#/A♭, A, A#/B♭, B
D string: C, C#/D♭, D, D#/E♭, E, F, F#/G♭
A string: G, G#/A♭, A, A#/B♭, B, C, C#/D♭
E string: D, D#/E♭, E, F, F#/G♭, G, G#/A♭

Sheet music of the sixth position

This is what the sixth position notes look like in violin sheet music. I’ve chosen between notes that are enharmonically the same. Of course if a F# is possible, a Gb is possible too (also see the finger chart above).

You see that I chose different fingering for the G and D and the A and E strings. When playing a piece this depends on the musical context and the same note could be played by the second or third finger.

Example of Sixth Position

Sixth is more of an “in between” position, meaning there are not many example of long runs in sixth position unless they can’t be played more comfortably in fifth or seventh. Here is one short example of sixth position from Lalo’s Symphonie Espagnole. Mvmt. 4. The three dramatic E natural trills, leading into the giant sliding run down the E string, are in sixth position. Start the video at 3:35.

In the video below you can see it at 23:20

Sixth Position in Sheet Music

Here some good books and pieces to get practice in sixth position:

• Introducing the Positions, Vol. 2 by Harvey S. Whistler
• Changes of Position and Preparatory Scale Studies by Sevcik
• Symphonie Espagnole by Lalo, (especially fourth mvmt)

How to Learn Sixth Position

Sixth position can feel awkward at first. As with the other higher positions, practice by building first on the lower positions you have learned. Play scales on each string moving up through the positions. With a metronome, practice slowly sliding each finger from first position to its sixth position note. Practice repeating patterns in sixth position to get comfortable putting fingers down in tune. You could even do this with a tuner. The exercise books listed above will help you find structured etudes to gain confidence in sixth position.

What are tips and experiences learning sixth position? Let me know in the comments!

Read all my violin position blog posts:

• Half position
• First position
• Second position
• Third position
• Fourth position
• Fifth position
• Sixth position
• Seventh position

Finding Fifth Position

Tricks to find the fifth position on the violin

Fifth position is one of the easier ones to find, despite being so high. Here’s one trick you can use: in fifth position your wrist will be up against the edge of your violin. In all the lower positions, first finger and your left thumb can be across from each other. Starting from fifth position, however, the thumb stays touching the heel of the violin while first finger moves forward to bring the hand up around the instrument.

Here’s another trick if you’re playing “regular” fifth position (E on G string, B on D string, F# on A string, or C# on E string): first finger will be directly over the “purfling”, or decorative black edge, of your violin.

If you have already learned third position, it is easy to fifth from there: just shift first finger to where your third finger is in third position.

Finger Chart of Fifth Position

As we alluded to above, fifth position can start in slightly different places depending what key you are in. Here we show the full possibilities:

Notes in Fifth Position

The full chromatic range of notes you can play in fifth position is as follows, starting from “low” fifth position:
G string: D#/E♭, E, F, F#/G♭, G, G#/A♭, A
D string: A#/B♭, B, C, C#/D♭, D, D#/E♭, E
A string: F, F#/G♭, G, G#/A♭, A, A#/B♭, B
E string: C, C#/D♭, D, D#/E♭, E, F, F#/G♭

Sheet music of the fifth position

This is what the fifth position notes look like in violin sheet music. I’ve chosen between notes that are enharmonically the same. Of course if a F# is possible, a Gb is possible too (also see the finger chart above).

Example of Fifth Position

Meditation de Thais by Jules Massenet is a wonderful violin solo for exploring fifth position. It’s short, beautiful, and just challenging enough for someone at this stage without being overwhelming. It will really help you learn the fifth position notes on each string. Watch this video of Augustin Hadelich playing it, and see if you can catch the fifth position passages. Then watch the score video to see where fifth position is marked.

Fifth Position in Sheet Music

Aside from third, fifth position is the most common higher position. Being able to play in third and fifth will greatly widen your horizons. Here’s some great examples of fifth position etudes to help you learn this skill:

• Introducing the Positions, Vol. 1 by Harvey S. Whistler
• 36 Violin Studies, Op. 20 by Kayser (the last twelve include fifth position)
• Concerto in A Minor by Accolay
• Adoration by Felix Borowski
• Meditation de Thais by Massenet

How to Learn Fifth Position

To learn fifth position, remember the same tips we learned in the third position article. It is especially important to have a loose left thumb since your other fingers will have to move forward independently of the thumb. Also remember that finger spacing is slightly closer together the higher up the instrument you go.

Shifting straight from first to fifth position is a big jump. I recommend dividing the labor while learning where the position is for the sake of smoothness and stability. For example, you can practice playing a whole A Major scale on the A string just by shifting. As you go up the scale, shift to third position on the D and fifth position on the F#. You can do this to practice shifting on every string.

As you get more comfortable, do sliding shifts: starting with first finger in first position, gently slide up to fifth position, as you should always leave your gide finger on the string during a shift. Do it with the bow so you can hear the slide and know when you get to the top. Do it slowly at an even speed to learn the feel of shifting.

But how do you hide such a big slide later? The trick is to move the finger smoothly but quickly, barely touching the string, in between bow strokes or while moving the bow very slowly so no sound is heard. However, depending on the piece you may want a somewhat audible slide, which is often stylistic.

What are tips and experiences learning fifth position? Let me know in the comments!

Read all my violin position blog posts:

• Half position
• First position
• Second position
• Third position
• Fourth position
• Fifth position
• Sixth position
• Seventh position

Fourth Position: the most neglected position on the violin

Most violinists study fourth position after learning first, third, fifth, and second. At this point you should be getting comfortable shifting around the instrument and reading notes with extra ledger lines! However, often fourth position is just skipped or only touched lightly. This results in avoiding the fourth position, while it can come in really handy when selecting fingering for your piece.

May the fourth be with you!

Let’s learn all about the fourth position and polish up this neglected position.

Where does fourth position start?

For many people, fourth position starts about where their wrist starts to touch the rib of the violin. If you practice this over and over, it can be a good shifting tool. However, for a more exact measurement, fourth position starts where regular fourth finger would be in first position. If you’ve already learned fifth, this is a half step lower. Sometimes you might also start from “low” fourth position on Db, Ab, Eb, or Bb. this is a whole step below fifth position. Use the reference point of the soundbox to get secure in the fourth position. Feel the difference between the hand posture of the third and fourth position.

Finger chart of fourth position

Similarly to second position, the hand frame of fourth changes a lot depending on the need. This chart helpfully shows which fingers should be used on each note:

Notes in Fourth Position

The full chromatic range of notes you can play in regular or low fourth position are as follows:
G string: D♭, D, D#/E♭, E, F, F#/G♭, G
D string: A♭, A, A#/B♭, B, C, C#/D♭, D
A string: E♭, E, F, F#/G♭, G, G#/A♭, A
E string: B♭, B, C, C#/D♭, D#/E♭, E

Sheet music of the fourth position

This is what the fourth position notes look like in violin sheet music. I’ve chosen between notes that are enharmonically the same. Of course if a F# is possible, a Gb is possible too (also see the finger chart above).

Example of Fourth Position

The Prelude from J.S. Bach’s famous Partita No. 3 opens in fourth position. In this video of Midori, you can clearly see how she plays the first six notes in fourth before shifting to open E.

Fourth Position in Sheet Music

Here are some etudes and pieces that can help you get comfortable with fourth position:

• Changes of Position and Preparatory Scale Studies, Op. 8 by O. Sevcik
• Introducing the Positions, Vol. 2 by Harvey S. Whistler
• Kreutzer’s Etudes Nos. 8 and 11
• Prelude from J.S. Bach’s Partita No. 3

How to Learn Fourth Position

Although it may seem tricky at first, you will be surprised how useful fourth position is. Like second position, it fills in the passages that are awkward to play in third and fifth. For general shifting tips, check out my articles on third and fifth position. Here’s a few helpful things specific to fourth position:

Depending on the key, fourth position in particular changes a lot between “low” and “regular” fourth position. “Low” is helpful for keys like Bb or Eb Major, while “regular” is great for E Major. You will use fourth position A LOT for these keys.

Practice slide-shifting to fourth positon by playing a one octave scale on each string. For example, on a string play A, B, C#, D in first position, then shift to fourth on E. Your fourth finger will end on A.

Fourth finger in fourth position will land on a harmonic. A harmonic means that you don’t have to press the string down, just touching it gently creates a beautiful clear tone. Use harmonics in fourth position to check if you are in tune.

Learning the third position on the violin really opens some possibilities

If you’ve just recently started doing position work and shifting, you’re most likely working on third position. It is absolutely one of the most commonly used violin positions. The finger spacing is comfortable, and the basic third position hand frame uses the same scales as first position. Many teachers also consider it the best way to initially learn vibrato, which we will touch on later.

Finding third position

Third position starts about half way between the fingerboard nut and the edge of the violin (also called the “purfling”). Your palm, wrist, and arm are able to hang down freely, elbow pointing at the ground. To find it, slide your first finger on A string from B up to D. This is the start of third position, where third finger would normally be.

Finger chart of third position

Notes in Third Position

The full chromatic range of notes you can play in third position are as follows:
G string: C, C#/D♭, D, D#/E♭, E, F, F#/G♭
D string: G, G#/A♭, A, A#/B♭, B, C, C#/D♭
A string: D, D#/E♭, E, F, F#/G♭, G, G#/A♭
E string: A, A#/B♭, B, C, C#/D♭, D, D#/E♭

Sheet music of the third position

This is what the third position notes look like in violin sheet music. I’ve chosen between notes that are enharmonically the same. Of course if a F# is possible, a Gb is possible too (also see the finger chart above).

Example of Third Position

Once you get past beginning stages, third position is INCREDIBLY common in all levels of violin repertoire. It is crucial to understand sheet music markings to know when third position is required or encouraged. It is often used for more lyrical passages, to avoid awkward string crossings, or to create a different color. In some cases, playing third position is often a performer’s personal choice.

As an example, if you see a 1 written where you would put third finger in first position, shift to third. If you use the finger chart above to learn the notes in third position, you will be able to tell when to shift and what finger goes with each note.

Here is a clip from the famous piece Czardas by Vittorio Monti. Most of this piece’s fast section is in third position. Notice how this makes string crossing easier and allows for higher notes. Make sure to start the video at 2:40.

Exercises and pieces in the third position

As noted above, third position is everywhere! It is so easy to find long examples of it in many pieces. Here are some great exercise books and pieces that will help you strengthen this skill:

• Third and Fifth Position String Builder by Samuel Applebaum
• Introducing the Positions Vol. 1 by Harvey S. Whistler
• Czardas by Monti
• Meditation de Thais by Massenet
• Concerto in A Minor Mov. 1 by Vivaldi

There are many intermediate student concertinos you can play when you get proficient in first and third position. Here’s a list of 34 student concertinos in first and third position plus free sheet music.

How to Learn Third Position

It is so important to nail the first to third position shift. If you have not shifted before, here’s a few tips to keep in mind:

1. Allow your left thumb to be loose and flexible. Gripping the neck prevents shifting and causes injury.
2. When you shift, don’t just slide the finger. Allow your entire lower arm, wrist, and hand to move as one.
3. Keep the finger you are shifting just slightly (but not tightly) touching the string for a smooth motion.
4. When practicing slow shifts, do not overshoot the shift. It’s okay to slide up slowly at first, but overshooting will teach you to play out of tune.
5. Keep your other fingers close to the fingerboard for speed and to maintain hand frame.

A great way to start learning the notes of third position is to play one-octave scales. The basic scales of third position (C major, G major, and D major) match the ones you learned early in first position. They will sound familiar and have easy fingering patterns. To play the D Major scale in third position, start with first finger on A string and go all the way up to fourth finger on E string. As you learn the notes, you will start to notice some pretty cool relationships between first and third positions. What are some things you notice already?

Note on Harmonics

Third position is also when you begin using natural harmonics. The harmonic series is a musical and physical phenomenon. We won’t go into the science here, but basically, if you rest your finger on the surface of the string at its exact midpoint, it produces a pure, ringing tone. You do not even have to push your finger down! This happens because of the equivalent vibrations in the two sides of the string. There are several different sets of natural harmonics on violins, but dividing the string in half is the main one. The note produced is one octave higher than its corresponding open string. (G for G string, D for D string, etc.) Technically, the harmonics are in fourth position, but there are many intermediate pieces in third position that will stretch up for a harmonic, so they are usually taught simultaneously. Read my easy guide to violin harmonics here.

Note on Vibrato

Many more advanced violinists actually find playing third position even more enjoyable than first. Since it is further from the scroll, it is easier to have a loose, relaxed hand. For this reason, some pedagogues teach vibrato through third position. If you started learning vibrato exclusively in first position but have been struggling, try doing your exercises in third position instead! For more help with this, watch my video on learning vibrato on the violin.